Drive Distortion

Drive Distortion

DYTONE OOH DRIVE II DISTORTION OVERDRIVE GERMANY
DYTONE OOH DRIVE II DISTORTION OVERDRIVE GERMANY
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TC TC Electronic NOVA Drive NDR 1 Analog Distortion
TC TC Electronic NOVA Drive NDR 1 Analog Distortion
Paypal   US $199.00
EWS Fuzzy Drive Fuzz Distortion Pedal Xotic EWS
EWS Fuzzy Drive Fuzz Distortion Pedal Xotic EWS
Paypal   US $119.20
hughes kettner warp drive crushing distortion
hughes kettner warp drive crushing distortion
Paypal   US $69.00
BUILT IN ACTIVE DISTORTION ACTIVE DRIVE CIRCUIT GUITAR
BUILT IN ACTIVE DISTORTION ACTIVE DRIVE CIRCUIT GUITAR
Paypal   US $19.99
Tech 21 DD3X Double Drive 3X Tube Distortion Open Box
Tech 21 DD3X Double Drive 3X Tube Distortion Open Box
Paypal   US $166.50
EWS FUZZY DRIVE powerful fuzz distortion overdrive
EWS FUZZY DRIVE powerful fuzz distortion overdrive
Paypal   US $119.00
Carl Martin Heavy Drive Distortion Pedal Auth Dealer
Carl Martin Heavy Drive Distortion Pedal Auth Dealer
Paypal   US $147.00
Carl Martin Rock Drive Distortion Pedal Auth Dealer
Carl Martin Rock Drive Distortion Pedal Auth Dealer
Paypal   US $147.00
Carl Martin Crunch Drive Overdrive Distortion Pedal
Carl Martin Crunch Drive Overdrive Distortion Pedal
Paypal   US $147.00
Sobbat DB 1 Drive Breaker 1 hyper distortion NEW $0SH
Sobbat DB 1 Drive Breaker 1 hyper distortion NEW $0SH
Paypal   US $169.95
Boss Over Drive distortion OS 2
Boss Over Drive distortion OS 2
Paypal   US $69.00
EWS Brute Drive Distortion Overdrive Pedal EWS
EWS Brute Drive Distortion Overdrive Pedal EWS
Paypal   US $152.00
Tech 21 DD3X Double Drive 3X Tube Distortion Pedal NEW
Tech 21 DD3X Double Drive 3X Tube Distortion Pedal NEW
Paypal   US $179.00
NEW TC ELECTRONIC NOVA DRIVE OVERDRIVE DISTORTION PEDAL
NEW TC ELECTRONIC NOVA DRIVE OVERDRIVE DISTORTION PEDAL
Paypal   US $229.00
EWS Fuzzy Drive Fuzz Distortion Effect Pedal NEW
EWS Fuzzy Drive Fuzz Distortion Effect Pedal NEW
Paypal   US $119.20
Boss DN 2 Dyna Drive DN2 Distortion OD Pedal B Stock
Boss DN 2 Dyna Drive DN2 Distortion OD Pedal B Stock
Paypal   US $80.10
GUYATONE HD3 HOT DRIVE DISTORTION PEDAL TRUE BYPASS
GUYATONE HD3 HOT DRIVE DISTORTION PEDAL TRUE BYPASS
Paypal   US $50.00
Boss Super Over Drive SD 1 SD1 Distortion Pedal
Boss Super Over Drive SD 1 SD1 Distortion Pedal
Paypal   US $49.99
EBS Metal Drive Distortion Pedal
EBS Metal Drive Distortion Pedal
Paypal   US $199.00
Line 6 DM 4 Distortion Modeler pedal fuzz drive DM4
Line 6 DM 4 Distortion Modeler pedal fuzz drive DM4
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NEW Effectrode Tube Drive Amazing Distortion 3 Tubes
NEW Effectrode Tube Drive Amazing Distortion 3 Tubes
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ModTone MT OD Dyno Drive Overdrive Distortion Pedal NEW
ModTone MT OD Dyno Drive Overdrive Distortion Pedal NEW
Paypal   US $79.95
Boss OD 20 Drive Zone OD20 Overdrive Distortion Pedal U
Boss OD 20 Drive Zone OD20 Overdrive Distortion Pedal U
Paypal   US $111.82
TC Electronic Nova Drive Distortion Pedal $199 WOW
TC Electronic Nova Drive Distortion Pedal $199 WOW
Paypal   US $199.00
Carl Martin Crunch Drive Overdrive Distortion Pedal
Carl Martin Crunch Drive Overdrive Distortion Pedal
Paypal   US $161.70
NEW TC Electronic Nova Drive Distortion Pedal NDR 1
NEW TC Electronic Nova Drive Distortion Pedal NDR 1
Paypal   US $249.00
Akai Shred O Matic D1 TUBE DRIVE Distortion Pedal NoRes
Akai Shred O Matic D1 TUBE DRIVE Distortion Pedal NoRes
Paypal   US $49.00
BOSS ODB 3 BASS OVER DRIVE PEDAL ODB3 NEW DISTORTION
BOSS ODB 3 BASS OVER DRIVE PEDAL ODB3 NEW DISTORTION
Paypal   US $99.97
Boss DN 2 Dyna Drive Overdrive Distortion Guitar Pedal
Boss DN 2 Dyna Drive Overdrive Distortion Guitar Pedal
Paypal   US $75.00
View Page:   1  2

Drive Distortion

How to Avoid the Top 5 Driving Errors That Most People Make

What are the top 5 driving errors that people make? And how can they be avoided?

One of the most common driving errors is turning on every other gadget in the car after it has hit the road. Some people compound the problem by activating their pagers and cell phones. Multi-tasking is something that cannot safely be done while negotiating a busy highway on your way to serious work. It might be excusable to fix your makeup if you are just casually driving round the next block in the suburban neighborhood to a friend's house (but even then, you have to think about children suddenly rushing in front of the car)...but that is certainly dangerous when speeding along a highway with tens of other speeding vehicles all around you.

To get around this, fix yourself up perfectly, make all the calls you need to make, send out all the text messages you need to send and be sure and finish your meal at the table before getting into your car.

Another common error that people are unaware that they are doing is tagging too close behind the next car. Your car needs ample time to stop itself after you slam on your brakes after seeing the brake lights of the car in front of you suddenly flash bright red.

If you are running at average speed, you need two or three seconds worth of allowance between your front and the but of the car you are following. Add some more allowance if you are speeding down the fast lane or traveling at night, through foggy weather or on a wet road.

The third common mistake people commit while driving is neglecting to check a corner before turning. People most often assume that because they are turning into a particular direction, no other cars or people are going in the opposite direction.

To avoid this mistake simply requires focusing on your driving and having the presence of mind to slow down when you get to a corner. Whether you are driving straight through or turning left/right, you should give yourself a few seconds to take in the situation in that corner before proceeding. People don't usually cross the street without checking if there are cars going through. The same goes if you are driving a car yourself.

The fourth common mistake that people commit while driving is taking medicines that will make them drowsy. It is not just alcohol that can make you sleepy, antihistaminic or anti-allergy drugs exert the same action. Do not take medicines to control allergies before driving you car.

If you need to take these medicines, take them early on, about an hour or so before hitting the road. Better still, postpone taking them until after your have reached your destination.

Another thing people do which leads to accidents on the road is to rely on their side or back mirrors when they are backing up the car. The spatial impression given by those mirrors are slightly distorted. Objects, including cars and people, that seem to be a safe distance removed from the back of your car may actually be near enough for you to hit. The best way to back up the car is to turn your head and look through the back window of the car. In this way the spatial impression you will be getting is accurate.

Along the same line, be sure to back up immediately if the coast at your back is clear. Don't wait for five minutes before doing that. Especially when he is engaged in an interesting conversation with a friend in his car, the temptation to pursue the topic of conversation after having checked the back window is great. If the driver waits several minutes to back up, a vehicle may have positioned itself at his back.

Just asking, but aside from the loudness, is it actually considered good that they show horrible distortion?

I live in a largely Hispanic neighborhood where people use the sound boxes as weapons - showing off and driving through with the intention of setting off car alarms. But I hear people who are obviously proud of their cars and even keep the windows up, but instead of listening to loud music, I hear speakers that are clearly being run to their limits and being producing distortion that bugs me even beyond the volume. Is this considered good in the mobile boom box culture?

No its not considered good in the Car Audio world. Just people that dont know what loud clean bass sounds like or just thought they knew what they were doing when they installed it.

Bbe Fuzz

Bbe Fuzz

BBE FREE FUZZ FX PEDAL
BBE FREE FUZZ FX PEDAL
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BBE FREE FUZZ Guitar Pedal 70s Fuzz NIB
BBE FREE FUZZ Guitar Pedal 70s Fuzz NIB
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BBE Free Fuzz 70s Style Effects Pedal NEW FREE SHIP
BBE Free Fuzz 70s Style Effects Pedal NEW FREE SHIP
Paypal   US $113.99
BBE Free Fuzz Effect Pedal 70s Vintage Fuzz Sound
BBE Free Fuzz Effect Pedal 70s Vintage Fuzz Sound
Paypal   US $119.99
New BBE Free Fuzz Effect Pedal
New BBE Free Fuzz Effect Pedal
Paypal   US $99.99
BBE Free FUZZ vintage Distortion guitar pedal
BBE Free FUZZ vintage Distortion guitar pedal
Paypal   US $119.99
BBE Free Fuzz Effects Pedal
BBE Free Fuzz Effects Pedal
Paypal   US $119.99
NEW BBE Free Fuzz 70s Vintage Fuzz Pedal
NEW BBE Free Fuzz 70s Vintage Fuzz Pedal
Paypal   US $119.95
BBE Free Fuzz Free Shipping
BBE Free Fuzz Free Shipping
Paypal   US $119.99
BBE Free Fuzz Guitar Pedal Stompbox New
BBE Free Fuzz Guitar Pedal Stompbox New
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BBE Free Fuzz Effect Pedal New
BBE Free Fuzz Effect Pedal New
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NEW BBE FREE FUZZ ELECTRIC GUITAR BASS EFFECT PEDAL
NEW BBE FREE FUZZ ELECTRIC GUITAR BASS EFFECT PEDAL
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BBE FREE FUZZ ELECTRIC GUITAR 70S FUZZ EFFECT PEDAL
BBE FREE FUZZ ELECTRIC GUITAR 70S FUZZ EFFECT PEDAL
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BBE Free Fuzz 70s Effect Pedal WAREHOUSE RESEALED
BBE Free Fuzz 70s Effect Pedal WAREHOUSE RESEALED
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3 3PDT Stomp Switch True Bypass for BBE Free Fuzz 302
3 3PDT Stomp Switch True Bypass for BBE Free Fuzz 302
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New BBE Free Fuzz Pedal Stomp Box NIB Same Day Shipping
New BBE Free Fuzz Pedal Stomp Box NIB Same Day Shipping
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BBEFree FuzzStomp Pedal Box Bass Guitar Vintage NEW
BBEFree FuzzStomp Pedal Box Bass Guitar Vintage NEW
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BBE FREE FUZZ GUITAR BASS EFFECT PEDAL NEW
BBE FREE FUZZ GUITAR BASS EFFECT PEDAL NEW
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BBE FREE FUZZ EFFECTS PEDAL
BBE FREE FUZZ EFFECTS PEDAL
Paypal   US $119.99

Bbe Fuzz

What order should i put my guitar pedals in?

Hi i was wondering in which order i should put my pedals in order for it to sound the clearest/best.
I have
Original Cry Baby Wah
Boss D-1 Distortion
Boss Super Over Drive
BBE Free Fuzz
Some Chorus Pedal
and then a boss loop pedal

what order should they go in?

Wow, three different distortion pedals?

Something I have learned over the years is that simplicity is best - I've had more things go wrong when gigging than I care to think about, everything from forgetting a midi pedal or an adapter to batteries dying to patch cords shorting out to having knobs break off during a set because I tripped over it during one particular hard rocking moment (for the record, I did a particularly wild guitar hero style move, tripped over a pedal, breaking off a knob, landed on my back, narrowly missing the singers voice processing pedal, and still managed to finish the last few chords of the end of the song without screwing them up. I felt like a really smart dumb person for that one. *grin* ).

Anyways, the point of that is that simplicity is really important. Fewer pedals means fewer things can go wrong. My suggestion is that you use the absolute fewest pedals that you need to get your sound. When playing solo or jamming with your friends, well, it's not such a big deal (unless something goes wrong), but when playing live I really really recommend trimming the excess - power adapter cords tangle, leads can short out or get lost or come unplugged, batteries can be lost and forgotten and die at the worst times, etc etc.

Anyhoo, enough with the soapbox.

My initial suggestion would be to put them in this order

guitar -> SD-1 -> DS-1 -> Free Fuzz -> Chorus -> Loop -> wah -> amp

I generally put the wah last when I want to use it as a filter or as a solo boost. Sometimes it sounds better, though, when you put it before distortion, chorus, etc, it depends on the wah and the pedals.

Generally its buffer, tuner, compression, distortion, modulation (chorus, phaser, flanger), time-based (delay, echo, verb, loop), eq and filters, wah. If you're heavily into using your loop, the wah should go before the loop, so you can incorporate its sound into the looping process. Obviously if you don't have a buffer or compressor or tuner you don't need to worry about that stuff, but that's the general outline most guitarists tend to go with.

I recommend the SD-1 (super overdrive) first because it has the least gain and can be used as a boost for either your amp or the other pedals. The DS-1 can be used in this way too, but overdriving the SD-1 won't sound as good as the SD-1 overdriving the DS-1, Fuzz, or amp itself, so that is the logical order for me - least gain to highest gain.

Of course, experimentation is important - once you figure out what each thing does, you may want to do something different. Putting the SD-1 or the DS-1 *after* the loop, ie, last in your chain, could give you the option of having a very "lo-fi" tone... just turn your gain down and level to match volume with the pedal off... everything goes into the DS-1, and as long as the gain isn't too high, it'll sound fuzzy but shouldn't become too mushy or indistinct. One way to get an interesting character from your tone. You can do the same with a wah... set it to about 2/3rds forward, always on. Many guitar players do this to both round off the top end or to help "cut through" the mix.

Good luck!

Saul

Dunlop Jimi

Dunlop Jimi

Dunlop JH OC1 Jimi Hendrix Octavio Octve Divider Pedal
Dunlop JH OC1 Jimi Hendrix Octavio Octve Divider Pedal
Paypal   US $139.95
Dunlop JH F1 Jimi Hendrix Fuzz Face Pedal JHF1 New
Dunlop JH F1 Jimi Hendrix Fuzz Face Pedal JHF1 New
Paypal   US $149.00
Jim Dunlop JH 2S Jimi Hendrix Fuzz Pedal
Jim Dunlop JH 2S Jimi Hendrix Fuzz Pedal
Paypal   US $35.00
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal
Paypal   US $107.99
Dunlop Jimi Hendrix Axis Bold As Love 12 Guitar Picks
Dunlop Jimi Hendrix Axis Bold As Love 12 Guitar Picks
Paypal   US $7.79
Dunlop Jimi Hendrix Band Of Gypsys 12 Guitar Picks
Dunlop Jimi Hendrix Band Of Gypsys 12 Guitar Picks
Paypal   US $7.79
NEW Dunlop JHF1 Jimi Hendrix Fuzz Face Pedal Arbiter
NEW Dunlop JHF1 Jimi Hendrix Fuzz Face Pedal Arbiter
Paypal   US $149.95
Dunlop Jimi Hendrix Electric Ladyland 12 Guitar Picks
Dunlop Jimi Hendrix Electric Ladyland 12 Guitar Picks
Paypal   US $7.79
Dunlop Jimi Hendrix Wah Wah
Dunlop Jimi Hendrix Wah Wah
Paypal   US $129.99
Dunlop Jimi Hendrix Are You Experienced 12 Guitar Picks
Dunlop Jimi Hendrix Are You Experienced 12 Guitar Picks
Paypal   US $7.79
Dunlop Jimi Hendrix Octavio
Dunlop Jimi Hendrix Octavio
Paypal   US $169.99
Dunlop JH 1S jh1s Jimi Hendrix Wah Wah Special w box
Dunlop JH 1S jh1s Jimi Hendrix Wah Wah Special w box
Paypal   US $99.99
70s THOMAS organ WAH CRYBABY PEDAL PRE dunlop jimi
70s THOMAS organ WAH CRYBABY PEDAL PRE dunlop jimi
Paypal   US $149.99
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal NEW JH1B
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal NEW JH1B
Paypal   US $113.67
Dunlop Jimi Hendrix JH OC1 Octavio Guitar Pedal NEW
Dunlop Jimi Hendrix JH OC1 Octavio Guitar Pedal NEW
Paypal   US $159.95
Dunlop JHF1 Jimi Hendrix Fuzz Face Stomp Box Pedal NEW
Dunlop JHF1 Jimi Hendrix Fuzz Face Stomp Box Pedal NEW
Paypal   US $144.95
NEW MXR Dunlop JH 1B Jimi Hendrix Signature Wah Pedal
NEW MXR Dunlop JH 1B Jimi Hendrix Signature Wah Pedal
Paypal   US $144.99
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal NEW
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal NEW
Paypal   US $104.99
JIMI HENDRIX DUNLOP CRYBABY WAH POPSTER
JIMI HENDRIX DUNLOP CRYBABY WAH POPSTER
Paypal   US $10.99
NEW DUNLOP JHF1 JIMI HENDRIX FUZZ FACE PEDAL FREE SHIP
NEW DUNLOP JHF1 JIMI HENDRIX FUZZ FACE PEDAL FREE SHIP
Paypal   US $149.99
NEW MXR Dunlop JH OC1 Jimi Hendrix Octavio Pedal
NEW MXR Dunlop JH OC1 Jimi Hendrix Octavio Pedal
Paypal   US $184.99
Dunlop Jimi Hendrix Signature Wah
Dunlop Jimi Hendrix Signature Wah
Paypal   US $129.99
Dunlop Jimi Hendrix Octavio Octave Fuzz Effect Pedal
Dunlop Jimi Hendrix Octavio Octave Fuzz Effect Pedal
Paypal   US $169.99
NEW MXR Dunlop JH F1 Jimi Hendrix Fuzz Face Pedal
NEW MXR Dunlop JH F1 Jimi Hendrix Fuzz Face Pedal
Paypal   US $164.99
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal New
Dunlop JH 1B Jimi Hendrix Signature Wah Pedal New
Paypal   US $129.99
Dunlop Jimi Hendrix JH F1 JHF1 Fuzz Face Effect Pedal
Dunlop Jimi Hendrix JH F1 JHF1 Fuzz Face Effect Pedal
Paypal   US $149.99
Dunlop JHOC1 Jimi Hendrix Octavio Octave Fuzz Pedal
Dunlop JHOC1 Jimi Hendrix Octavio Octave Fuzz Pedal
Paypal   US $129.99
Jimi Hendrix JH 1B Signature Dunlop Crybaby Wah
Jimi Hendrix JH 1B Signature Dunlop Crybaby Wah
Paypal   US $129.99
DUNLOP JIMI HENDRIX JH F1 FUZZ FACE DISTORTION PEDAL
DUNLOP JIMI HENDRIX JH F1 FUZZ FACE DISTORTION PEDAL
Paypal   US $149.95
DUNLOP JH 1B JH1B JIMI HENDRIX SIGNATURE WAH PEDAL NEW
DUNLOP JH 1B JH1B JIMI HENDRIX SIGNATURE WAH PEDAL NEW
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View Page:   1  2  3

Dunlop Jimi

What Wah-wah pedal should I get?

I've been using a classic dunlop crybaby but I don't like it. It creates to much noise and is squaky. I'm wondering what other pedal I should get. Is their a better dunlop wah or are vox wah's good? I wanna sound like John Frusciante and Jimi Hendrix.

http://guitars.musiciansfriend.com/product/Dunlop-Crybaby-Classic-Fasel-Inductor-Wah-Pedal?sku=151026

Buy a Real McCoy (a.k.a. RMC) by Geoffrey Teese Wah. If you really like that "holy grail" classic wah tone, I suggest the RMC-4 better known as the "Picture Wah" based on the original Vox Clyde McCoy that as made in Italy during the 60's. It's a bit Pricey though ($200) for a wah without any trim pots but it's worth it. It has true bypass and well, it's just amazing I guess. You can also check out other models of RMC (which are pricier. I would also recommend the Budda Bud-Wah. It also is a great wah pedal.

When it comes to a squeaky wah, all pot-based wah's (what I mean is wah's utilizing potentiometers for the rocker sweep) will become creaky in the end. The solution for this is by replacing the potentiometer. You can ask the dealer/manufacturer for this.

If you don't want to think about replacing the pot's then I suggest you buy an optical wah like Morley, but the sound they produce are kind of subjective. Some love 'em while others don't.

Here's a link with demo:

http://www.proguitarshop.com/product.php?ProductID=99&CategoryID=16

Happy New Year!

Bass Processor

Bass Processor

Behringer Bass V Amp Multi Effects Processor
Behringer Bass V Amp Multi Effects Processor
Paypal   US $5.50
DIGITECH BP 80 MODELING BASS PROCESSOR
DIGITECH BP 80 MODELING BASS PROCESSOR
Paypal   US $30.00
Digitech BP 50 Bass Processor
Digitech BP 50 Bass Processor
Paypal   US $50.00
NEW SOUNDSTREAM BX 20Z BASS PROCESSOR EPICENTER BX20Z
NEW SOUNDSTREAM BX 20Z BASS PROCESSOR EPICENTER BX20Z
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ZOOM 506II Bass Processor
ZOOM 506II Bass Processor
Paypal   US $15.00
DigiTech BP200 Bass Modeling Processor
DigiTech BP200 Bass Modeling Processor
Paypal   US $25.00
Digitech BP 200 BP 200 Bass Guitar Processor $099 NR
Digitech BP 200 BP 200 Bass Guitar Processor $099 NR
Paypal   US $8.50
KORG TONEWORKS G 5 G 5 SYNTH BASS PROCESSOR NO RESERVE
KORG TONEWORKS G 5 G 5 SYNTH BASS PROCESSOR NO RESERVE
Paypal   US $1.54
DIGITECH BP200 MODELING BASS PROCESSOR
DIGITECH BP200 MODELING BASS PROCESSOR
Paypal   US $69.99
Boss GT 6B Bass Multi Effects Processor
Boss GT 6B Bass Multi Effects Processor
Paypal   US $125.00
DOD TEC SERIES MULTI EFFECTS PROCESSOR BASSTEC BASS PRE
DOD TEC SERIES MULTI EFFECTS PROCESSOR BASSTEC BASS PRE
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DIGITECH MODELING BASS PROCESSOR BP200 w POWER SUPPLY
DIGITECH MODELING BASS PROCESSOR BP200 w POWER SUPPLY
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Digitech BP80 Modeling Bass Processor
Digitech BP80 Modeling Bass Processor
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DigiTech BP200 Bass Modeling PROCESSOR NICE
DigiTech BP200 Bass Modeling PROCESSOR NICE
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NEW SOUNDSTREAM BX15 BASS PROCESSOR EPICENTER BX 15
NEW SOUNDSTREAM BX15 BASS PROCESSOR EPICENTER BX 15
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SOUNDSTREAM BX 10 DIGITAL BASS PROCESSOR EPICENTER BX10
SOUNDSTREAM BX 10 DIGITAL BASS PROCESSOR EPICENTER BX10
Paypal   US $64.90
SoundStream BX 10 Digital Bass Processor
SoundStream BX 10 Digital Bass Processor
Paypal   US $20.00
Boss GT 6B Bass Multi Effects Processor No Reserve
Boss GT 6B Bass Multi Effects Processor No Reserve
Paypal   US $52.00
BLACKMORE BB 70 BASS PROCESSOR EPICENTER LINE DRIVER A
BLACKMORE BB 70 BASS PROCESSOR EPICENTER LINE DRIVER A
Paypal   US $44.44
new in box Digitech BP50 Modeling Bass Processor
new in box Digitech BP50 Modeling Bass Processor
Paypal   US $.01
Korg Pandora PX4D Multi Effect Processor Guitar Bass
Korg Pandora PX4D Multi Effect Processor Guitar Bass
Paypal   US $119.95
Boss GT 10B GT10B Bass Effects Processor
Boss GT 10B GT10B Bass Effects Processor
Paypal   US $428.00
AUDIO CONTROL EPICENTER BASS RESTORATION PROCESSOR GRAY
AUDIO CONTROL EPICENTER BASS RESTORATION PROCESSOR GRAY
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MTX RE Q5 CAR AUDIO BASS SIGNAL RESTORATION PROCESSOR
MTX RE Q5 CAR AUDIO BASS SIGNAL RESTORATION PROCESSOR
Paypal   US $87.95
Zoom BFX 708 Bass Guitar Multi Effects Processor
Zoom BFX 708 Bass Guitar Multi Effects Processor
Paypal   US $9.99
SOUNDSTREAM BX 20Z DIGITAL BASS PROCESSOR BX20Z NEW
SOUNDSTREAM BX 20Z DIGITAL BASS PROCESSOR BX20Z NEW
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AUDIO CONTROL  EPICENTER BASS PROCESSORWHITE
AUDIO CONTROL EPICENTER BASS PROCESSORWHITE
Paypal   US $135.95
Boss GT 6B Bass Multi Effects Processor LOOK
Boss GT 6B Bass Multi Effects Processor LOOK
Paypal   US $125.00
AudioControl EPICENTER White Bass Restoration Processor
AudioControl EPICENTER White Bass Restoration Processor
Paypal   US $139.95
MTX re Q Car Audio Bass Sound Restoration Processor reQ
MTX re Q Car Audio Bass Sound Restoration Processor reQ
Paypal   US $69.95
View Page:   1  2  3  4

Bass Processor

What Does an AV Receiver Do?

The surround sound receiver is an important piece of equipment that is more commonly referred to as the AV receiver. AV in this particular instance refers to audio and video. In other words, the receiver receives all this information and then plays traffic cop directing it where it should go. If you purchase an all in one sort of AV receiver you will notice that in addition to conducting traffic this particular tool wears many hats when it comes to effectively running your home theater or surround sound system.

The receiver functions in the capacity of a switch for all audio and visual information that comes into your home theater system. This device takes all the source information and data and literally switches (or translates if you will) that data into pictures and sound.  Without something to operate in this capacity it would be impossible to have a home theater system as the information couldn't be properly filtered and translated into the areas in which it needs to go.

Surround decoding is yet another task that the AV receiver performs with grace. Surround sound is encoded onto the discs that we play in our theater or sound equipment. The most common type of encoding is designed for 5.1 channel surround sound systems such as Dolby Digital or DTS receivers. There are others that exist but the vast majority of DVDs are designed and encoded for the above mentioned 5.1 channel systems.

As if these weren't enough the AV receiver also works in the capacity of a signal processor. Common signals that are processed by the receiver are the following: THX post-processing, bass management, digital audio decoding, and simulated soundfields. If at all possible and budget friendly to do so you should really take the effort to find an AV receiver that is THX certified. The requirements to meet the minimal certification standards make a system that meets those standards an excellent investment for your home theater or surround sound needs.

Amplification is yet another of the many tasks performed regularly by your AV receiver. This is an important task to your surround sound and the overall 'theatrical' experience of viewing movies on your home theater. You will probably be wise to check with your retailer about how much amplification you actually need in your home theater, as there are many mitigating factors that affect that number. Among some of the mitigating factors are: ceiling height, square footage of the room, flooring material and other things as well). While more power is good in most situations there are times when it is simply too much for your system to handle. This is one reason that many people opt to buy ready-made box kits for their surround sound and home theater needs.

Last but certainly not least, the AV receiver actually works as a tuner for AM/FM radio. Don't be too shocked and awed by all the jobs that this one little device does, just remember this when you see the sticker price and think to yourself how much more you would pay if you were buying a separate device for each of these functions. We should all be grateful to the person who invented this particular contraption and be glad to pay the price we are paying for the amazing sound that is produced.

How do I add dept to the sound of my deck?

OK, so I have a decent pionner deck (stereo sound, or 2.0), crossover, subs, mids and high, each one with their apropiate ampifiers but, I want all the sounds to blend, I want to add dept to the music, like if you were in a concert hall, where you can hear every instrument independently, not the bass from the back or the highs from my pillars. Have you ever tried the bose triport headphone, I whant it to sound like that, just in my car.
I heard there are componments called digitalizators, processors, and bass processor.
School me on tecniques, types of componments, brands or anything that can help me turn my stereo sound into something more live like. I don't need an epicenter since I got plenty of bass and I don't want to change my head unit.

The imaging will depend a lot on the positions of the speakers, is better to use component speakers.

Voodoo Lab

Voodoo Lab

VooDoo Lab Sparkle Drive Overdrive with Clean Boost
VooDoo Lab Sparkle Drive Overdrive with Clean Boost
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Voodoo Lab

A Tourist's Guide to Williamsburg and Hampton Roads Sights

Colonial Williamsburg, 101 Visitor Center Drive, Williamsburg, Virginia

Colonial Williamsburg, Virginia’s top tourist attraction and the state’s second capital after Jamestown, is like entering a time portal to the colonial era.  Founded in 1699, it had been conceived as a prestigious, sophisticated gathering place because of its chosen location next to the College of William and Mary.

As in any town, its citizens had pursued daily mercantile activities, providing functions, goods, and services in exchange for the salaries they themselves had needed to purchase those goods and services.  Craftsmen had practiced their trades: blacksmiths, coopers, shoemakers, printers, gunsmith, cabinetmakers, and wigmakers had all made vital contributions to the community’s continued existence, while the remainder of the people had engaged in military and governmental pursuits.

Transportation had been provided by horse-drawn wagons and carriages, as evidenced even today by ubiquitous clompings on the dirt streets.

Several buildings had been nucleic to life.  The Peyton-Randolph House and kitchen, for example, had once been the home of one of Virginia’s leading politicians and the scene of numerous social and political gatherings.  Civil and criminal cases had been tried at the Courthouse.  The circular, brick Magazine had served as Williamsburg’s arsenal and had stored arms and gunpowder on its upper level.  The Printing Office and Bookbinding shop had been instrumental in pre-Revolution information distribution.  The James Anderson Blacksmith shop had repaired arms for American forces.  In 1776, the patriots of Virginia had voted for independence in the Capitol and a new state constitution had been drafted there.  The government had conducted war over a five-year period from this location and legislation had created the Republican party within its walls.

The Governor’s Palace, the city’s most opulent structure, had been the residence of several royal governors and the first two elected governors of the new sovereign state of Virginia, and today retains the appearance of the home of Lord Dunmore, the last British governor to have lived there on the eve of the Revolution.

As in the current day, men often met in taverns to drink and discuss business.

The town, associated with such names as Thomas Jefferson, George Mason, Richard Henry Lee, Patrick Henry, and George Washington, had offered little manufacturing, but instead had acted as the political and economic center of Virginia for 80 years, having been England’s largest and wealthiest colony--the location of enacted laws and administered justice, and the site where the seeds of democracy and political independence had been planted in an ultimate attempt to separate itself from its source.

Williamsburg had thrived until Virginia’s capital had been relocated to Richmond in 1780, whereafter it had declined to a backwater town.

The town’s slow rebirth began in 1926 when the Colonial Williamsburg Foundation had been established to excavate buried foundations and reconstruct the crumbling buildings which had still stood, ultimately transforming it into the world’s largest, 18th-century living history museum comprised of 88 restored structures and some 500 other reconstructed ones spread over 301 acres.

Colonial Williamsburg is once again alive: the buildings can be visited; the pounding of the glowing anvil can be heard in the blacksmith shop; cases can be heard in the courthouse; costumed interpreters reenact scenes from earlier life; soldiers march down Duke of Gloucester Street; meals can be eaten in four historic taverns; 18th-century goods are made and sold in the numerous shops; and horse-drawn carriages still clomp down the unpaved streets.

An extensive Visitor’s Center, replete with gift shops, bookstores, and theaters where the introductory film, “Williamsburg: Story of a Patriot,” is shown, provides the threshold to this colonial era, and is the departure point of the shuttle buses which periodically take visitors to the city’s two entry points.  At least two full days are needed to visit Williamsburg’s significant buildings, observe its costumed “citizens” at work, witness their numerous reenactments, peruse the museums, shop for period items, eat in the taverns, and partake of the evening entertainment programs.  A hefty entrance fee provides access to most of these sights and events, although “add-ons” are required for certain buildings and programs, and prices vary according to the number of days the passes cover.

Historic Jamestowne, Jamestown, Virginia

Thirteen years before the Pilgrims had even set foot in Plymouth, Massachusetts, 104 English men and boys, representing the Virginia Company of London, had made the four-and-a-half month ocean voyage in three ships designated the Susan Constant, the Discovery, and the Godspeed from London, and landed on the banks of the James River in current-day Virginia, establishing the first permanent English settlement in North America.  The date, May 13, 1607, can be considered “one small step for European-kind,” but had ultimately served as the threshold to the United States of America.

In 1994, archaeologists had begun a search for the settlement’s original location and two years later they had uncovered sufficient evidence to determine that the James Fort had been built on a small island on the banks of the James River originally separated from the mainland by a narrow isthmus.  The site, designated Historic Jamestowne and administered by the National Park Service, can be visited.           

Subdivided into Old Towne and New Towne sections, the former contains the site of the original, 1607, triangular-shaped fort whose foundation is roughly outlined by brick, and a 17th-century church and tower, while the latter, located past the Tercentenary Monument, sports brick replicas to mark excavation foundations of the expanded settlement.

Jamestown Settlement, Route 31, Off Colonial Parkway

Jamestown Settlement, located a mile from the original site, recreates several key features of it.  A huge, red brick Visitors Center, with reception, cafeteria, gift shop, interpretive galleries, and films, leads to the outdoor path which winds its way to the docks on the James River.          

The first of the recreated scenes, a Powhatan Indian village based upon the archaeological findings of a site once occupied by the Paspahegh tribe, features hide-covered sleeping and storage houses, a ceremonial circle, hide-tanning frames, and planting fields.                

The triangular-shaped James Fort, located further down the path, had been the first home of the original settlers and features recreated, wattle-and-daub, thatched-roof structures, a storehouse, a church, a guard court, and three bulwarks.  Daily reenactments demonstrate carpentry, agriculture, rifle shooting, blacksmithing, and cooking.               

The Riverfront Discovery Area offers insight into how water had provided the core of commonality for different 17th-century cultures, all of which had relied upon it for fishing, transportation, boat building, and trading.               

The three ship replicas docked in the harbor represent the lifelines of the English colonists, the largest of which is the 110-foot-long, square-rigged Susan Constant.  Crew had lived and worked on its main deck, while passengers and cargo had been accommodated below. 

Jamestown Settlement complements Historic Jamestowne with visual, full-size replicas of excavations just rising from the ground at the original site.

Yorktown Battlefield, Route 238

Jamestown had served as America’s origin.  Williamsburg had served as the pivot of governmental development, the cradle where the American Revolution’s forefathers had been nurtured.  One more location, however, would serve as the point where that Revolution had led to victory, separation, and independence. 

While the French naval fleet had sailed southward toward the Chesapeake Bay during the latter portion of 1781, General George Washington had believed that the optimum opportunity for a decisive land-and-sea battle had been at hand and, in cooperation with French General Rochenbeau, had quietly relocated both American and French troops from New York to Yorktown, Virginia. 

Intercepting British ships outside of the Virginia Cape on September 5, the French had succeeded in blockading them and causing their subsequent retreat.  Arriving in Yorktown later that month, Washington and Rochenbeau seized the town, surrounding Lord Cornwallis’ British troops. 

In early October, Washington dug trenches from which to launch an out-and-out attack, American and French detachments subsequently cornering the two British redoubts on October 14, which had rapidly exhausted their ammunition supplies.  Defeated, Cornwallis surrendered five days later, ending the six-year Revolution and effectively beginning a new nation and a new government. 

The settlers who had put the first English footprint in Jamestown had now just put the first American one in Yorktown. 

Yorktown Battlefield, the actual site of the historical event and reconstructed with the aid of 18th-century military maps and excavations, accurately depicts Washington’s siege, pinpointing British and American troop locations.  The nearby Moore House had been the location of the surrender term negotiations. 

Yorktown Victory Center, Route 238

Life during and after the Revolution can be gleaned from the Yorktown Victory Center, which depicts a recreated Continental Army encampment and a 1780 tidewater Virginia farm.  The former encompasses commanding officer and regimental surgeon quarters and several soldiers’ tents, while the latter features dwellings, a tobacco barn, a kitchen, a herb and vegetable garden, and an agricultural field where corn, tobacco, cotton, and flax are grown. 

Yorktown, the third of the three locations after Jamestown and Williamsburg, forms an integral part of Virginia’s “Historic Triangle” which is connected by the 23-mile, James and York River-paralleling scenic byway and is part of Colonial National Historical Park.  Established in 1893 when the Association for the Preservation of Virginia Antiquities had acquired 22.5 acres on Jamestown Island, it had created the Colonial National Monument incorporating Jamestown, Yorktown, and the connecting parkway in 1930.  The National Park Service had acquired the remaining 1,500 acres of the island four years later. 

Busch Gardens, Route 60 East, Williamsburg, Virginia

Aside from the Historic Triangle sights themselves, one of Williamsburg’s most indicative attractions, and one which is the epitome of family fun, is Busch Gardens.  Voted “most beautiful park” for the past 18 years, this bathing suit-necessary, European-themed complex, encompassing more than 100 acres, offers rides, shops, restaurants, and entertainment venues subdivided into areas representing England, Scotland, Ireland, France, Germany, and Italy.  Rides include world-class roller coasters; a 36-inch-gauge steam locomotive-propelled train which makes a 1.5-mile loop; the world’s first, and floorless, dive coaster which plunges 205 feet at a 90-degree angle; and a vertically-diving log plume. 

Water Country USA, 176 Water Country Parkway

Aquatic thrills can also be experienced at Water Country USA, the mid-Atlantic’s largest water park.  Exuding a 1950’s and 1960’s surf theme, the complex offers more than 50 rides, attractions, shops, and restaurants, including the “Hubba Hubba Highway,” an interactive river adventure whose free-floating ride plunges through water-sprouting coconut trees and geysers; a high-speed, twisting and turning toboggan plunge evocatively called “Meltdown,” and the tunnel- and water curtain-penetrating “Aquazoid.” 

Ripley’s Believe It or Not, 1735 Richmond Road, Williamsburg, Virginia

Kid curiosity can be peaked at Ripley’s Believe It or Not, whose more than 300 exhibits and artifacts, reflecting Robert Ripley’s life philosophy of collecting and displaying odd, strange, bizarre, and, at times, unbelievable, items from ancient and exotic civilizations amassed during global travels, include prehistoric dinosaur eggs, 3,000-year-old mummified falcon remains from Egypt, shrunken heads from South America, golf balls once driven on the moon, locks of George Washington’s hair, two-headed kittens, and 500-pound gorillas formed by nails.  These strange effects are only exacerbated by the museum’s 4-D theater. 

Yankee Candle, 2200 Richmond Road, Williamsburg, Virginia

Yankee Candle, a combination shopping and sightseeing attraction, appears to both kids and kids at heart.  Aside from selling some 250,000 candles, 200 candle scents, toys, gifts, and holiday ornaments, its is a year-round winter wonderland.  Its entirely indoor Holiday Park features a 25-foot, revolving Christmas tree; a color-changing ice pond; falling snow; Santa’s workshop; a Christmas countdown clock; and an animated show, “Hickory, Dickory, Doc.” 

Haunted Dinner Theater, 5363 Richmond Road, Williamsburg, Virginia

The Haunted Dinner Theater, another combination attraction, pairs a 71-item, all-you-can-eat dinner buffet at Captain George’s Restaurant with a comedy murder mystery which incorporates audience clues to solve the nightly “whodunit.”  The winning combination has been running since 1994. 

Air Power Park, 413 West Mercury Boulevard, Hampton, Virginia

The outdoor Air Power Park, dedicated in recognition of the contributions made by NASA and Langley Air Force Base to aerial and space development and for their interest in community endeavors, features several unique aircraft designs, inclusive of the Lockheed T-33A T-Bird, an A-7E Corsair II, an XV-6A Kestrel V/STOL, a North American F-86L Sabre, the later-developed North American Rockwell F-100D Super Sabre, a McDonnell F-101F Voodoo, a Northrop F-89J Scorpion, and a Republic Aviation F-105D Thunderchief.  Even rarer, perhaps, is its space-related collection, including an SM-78 Jupiter surface-to-surface intermediate-range ballistic missile, a Western Electric NIM-14 Nike-Hercules two-stage missile, a Jet Propulsion Lab M-2 Corporal Ballistic Missile, a North American Aviation Mercury/Little Joe Booster, and a Mercury Test Capsule.               

Mariners’ Museum, 100 Museum Drive, Newport News, Virginia

Changing from air to sea, the Mariners’ Museum, one of the world’s largest and most comprehensive, displays more than 50 full-size boats and ships; authentic, hand-crafted ship models; and seafaring artifacts, subdivided into eight exhibits and galleries: the Chesapeake Bay Gallery, the USS Monitor Center, the Age of Exploration, Defending the Sea, the Great Hall of Steam, the Nelson Touch, International Small Craft Center, and the Miniature Ships of August and Winnifred Crabtree.  Its award-winning gallery, the $30 million, 63,500-square-foot USS Monitor Center, houses a full-scale replica and actual remains of one of the Civil War’s most important vessels.  The experience is further heightened by walk-through, high-definition “battle theaters.”               

The conceptual design for the United States’ first full, hull and protective plating ironclad ship, powered by steam and sporting a rotating turret, had been submitted to the US Navy by Swedish-American engineer John Ericsson, and the resulting vessel, the USS Monitor, had been launched on January 30, 1862 from Greenport, Long Island.  Two months later, in March, it had been ordered to Hampton Roads, Virginia, in order to protect the federal fleet stationed there, but on the ninth day of that month, it had engaged in a four-hour battle with a Confederate ironclad, the CSS Virginia, although neither had sustained much damage.               

During its New Year’s Eve towing at the end of the year by the USS Rhode Island to Beaufort, North Carolina, however, it had been caught by a fierce storm off of Cape Hatteras and 16 crew members had been swept overboard and perished. 

Today, most of the ship remains submerged off of North Carolina in the US’s first marine sanctuary, which had been designated on January 30, 1975. 

Virginia Living Museum, 524 J. Clyde Morris Boulevard, Newport News, Virginia

While the Mariners’ Museum focuses on the sea, the Virginia Living Museum showcases what lives in it, as well as on land, in settings such as a cypress swamp, a mountain cove, the Chesapeake Bay, and a limestone cave.  Living exhibits include color-changing frogs, moon jellies, eyeless fish, loggerhead turtles, spider crabs, red wolves, otters, and coyotes.  An extensive collection of native plants completes the flora and fauna experience.               

Fort Monroe/Casemate Museum, Casemate 20, Bernard Road, Fort Monroe, Hampton, Virginia

Fort Monroe, progressively constructed between 1819 and 1834 and located on the north side of the channel between the Chesapeake Bay and Hampton Roads, is the country’s largest stone fort and only moat-surrounded, still-operating one.  A Union stronghold during the Civil War, where both Robert E. Lee and Edgar Allan Poe had served, it had once sheltered thousands of slave refugees.  Its present Casemate Museum, location of Confederate President Jefferson Davis’s cell, displays uniforms, weapons, and artifacts collectively depicting the fort’s history.               

Virginia Air and Space Center, 600 Settlers Landing Road, Hampton, Virginia

The Virginia Air and Space Center, located in downtown Hampton on the waterfront, is a $30 million, 110,000 square foot, nine-story facility which had opened on April 5, 1992 and is characterized by its futuristic, interconnected, dual-building, gull wing roof-resembling architecture.  Its more than 30 historic air- and spacecraft, which represent more than 100 years of flight, are exhibited in the recently completed, $9 million Adventures in Flight Gallery and the Space Gallery, and include such designs as the Apollo 12 Command Module which had made the journey to the Moon, an AirTran DC-9-30, a B-24 Liberator nose section, an F.84 Thunderstreak, an F-4E Phantom II, an N2S-3 Stearman, a Lunar Orbiter, an F-104 Starfighter, an F-106 Delta Dart, a YF-16 Fighting Falcon, and a P-39Q Aircobra.  A new exhibit, “Space Quest: Exploring the Moon, Mars, and Beyond,” had recently been introduced in the Space Gallery.  Extensive, hands-on exhibits, featuring hot air balloons, noise abatement, a Boeing 717 glass cockpit fight simulator, aircraft flight surfaces, propeller efficiency comparatives, and Space Shuttle landing simulators, are complemented by the Riverside IMAX and Curtiss Jenny Century of Flight Theaters. 

The museum also serves as the Visitor Center for both the NASA Langley Research Center and Langley Air Force Base.

Hampton Carousel, 602 Settlers Landing Road, Hampton, Virginia

The Hampton Carousel, located downtown on the waterfront and housed in its own pavilion, had been built in 1920 and is one of only 170 antique wooden merry-go-rounds remaining in the US. 

Miss Hampton II Harbor Cruises, 710 Settlers Landing Road, Hampton, Virginia

Water-surrounded Hampton Roads cannot be fully enjoyed without at least one boat cruise on it.  The Miss Hampton II, a 44-passenger, dual-deck boat with a snack bar, departs daily from the Hampton Marina, plying Hampton Roads Harbor; stopping at the 1819-built Fort Wool; and tours the Norfolk Naval Base, the world’s largest naval installation.  Adults and kids alike are often fascinated by the 1,098-foot-long, nuclear-powered Nimitz-Class aircraft carriers which weigh in excess of 100,000 tons and are manned by 6,000 crew members; the Wasp-class amphibious assault ships; the guided missile destroyers; the Los Angeles-class, fast-attack, nuclear-powered submarines; and the Ticonderoga-class missile destroyers.

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