Barcus Berry

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Barcus Berry 1457XL Outsider Piezo Transducer
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Barcus Berry 6100 Flute Pickup System
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Barcus Berry Stereo Preamplifier
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vintage HARP PICKUP picup BARCUS BERRY PICK UP piano INSTRUMENT string ELECTRIC
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Barcus Berry BAR AEVB Vibrato AE Acoustic Electric Blue Violin
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Barcus Berry 3 4 4 4 Upright Bass BridgePickup 1360B
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Barcus Berry Vibrato AE Electric Acoustic Violin Black
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Barcus Berry Model 3125 Clamp on Cello Pickup with 3000A Preamp
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Barcus Berry 2522 HIGH TEK MAGNETIC PICKUP w clip NEW in the Box
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BARCUS BERRY 3125 Clamp On Bridge Cello Piezo Pickup
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Barcus Berry Vibrato AE Electric Acoustic Violin Red
Barcus Berry Vibrato AE Electric Acoustic Violin Red
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BARCUS BERRY 1455 3 Insider Acoustic Instrument Pickup
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Violin touring road case Barcus Berry
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Barcus Berry Piezo Buffer Preamp Model 4000XL input monitor out Main Output
Barcus Berry Piezo Buffer Preamp Model 4000XL input monitor out Main Output
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Barcus Berry 4000 Planar Wave System
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Barcus Berry

Barcus Berry Electric Violin with Emerald Finish Review

Many factors influence a customer's buying decision for an item like a violin. Mostly, customers want to know the benefits of buying the instrument. For a few of them, a steep price is not an issue, as long as the quality is good. Other customers will consider the price more than the quality, and appearances. If a violin offers customers good features, superior quality and price, they will automatically choose it. This is the case with the Barcus Berry violin. Without a question, violins such as this one are rare. This gem has a delicious emerald finish. Take your time to view violin images on the web.

 

You will discover that most instruments offer you a lovely brown or black finish. This makes the Barcus Berry a unique string instrument. If you use it for a stage performance, you can be sure that the audience' attention will be yours mostly. It is one of the best electric violins that are worth investing in. Because of its unique appearance, you can carry this instrument anywhere you like. It is an acoustic electric model rather than a chromatic violin. This characteristic makes it completely stand out from other electric versions.

 

You will certainly love it, compared to any other electric version you have used before. Are you a fan of many styles of music, including hip-hop, jazz, country, R&B and so on? If you are, this Barcus Berry violin suits you. In fact, if your friends are the partying type, you can always carry this beautiful emerald jewel with you. The instrument will grab attention on its own. Even if you are not a turning expert, the audience will appreciate your stage performance. The most important thing is that this violin allows you to practice playing different music genres.

 

As you draft the string arrays for music tracks, and movie underscores in the studio, the Barcus Berry could be your friend. Its rare acoustic tenor certainly exceeds the demands of your training expert. In other words, this emerald instrument is special for a student. This versatile item is good for both professionals and trainees. Its size is perfect, not to mention the violin's sturdy strings, and adaptable bridge. Expect no issues with quality of the sound it produces, or even the method of using it. This violin is user-friendly in all aspects, and it is far much better than most electric styles. If you want to buy it, try the shopping exercise online.

 

Be advised that either some websites do not offer you the right instrument, or they do not stock it. If you search the Amazon website for instance, you will find this charming barcus berry violin. The price is good for an average earner. Its quality is above reproach, and the finish is undeniably beautiful. This is why your search ends at this reputable web store. If you have an upcoming event, requiring you to perform on stage, this violin will help you. The music style you want to play, come that day is not a problem. As long you know how to tune it, this Barcus Berry is your best pick.

Help! What's the difference between these violins?

I'm shopping for an electric violin, and I'm seeing so many different violins and totally different prices, one $500.00, a Barcus-Berry Full Size 4/4 European Made Acoustic Electric Violin Outfit - Red Berry Burst Color, and then there's another violin for $84.00, a Red Electric 4/4 Violin/Fiddle+Gig Bag+Headphones Kit from TMS Wholesale Inc. What's the difference?

Links:

http://www.amazon.com/Red-Electric-Violin-Fiddle%2BGig-Bag%2BHeadphones/dp/B000ZPQNCO/ref=sr_1_42?ie=UTF8&s=musical-instruments&qid=1200936776&sr=1-42

http://www.amazon.com/Barcus-Berry-European-Acoustic-Electric-Violin/dp/B000FVOMPI/ref=sr_1_12?ie=UTF8&s=musical-instruments&qid=1200937190&sr=1-12

Well. there are different kinds of electric violin. The Barcus-Berry that you're looking at is a traditional acoustic violin with a pickup installed; Barcus-Berry is an extremely respected maker of pickups. The red one is a newer style solid-body (well, in this case, semi-solid).

Now, if I wanted an acoustic violin with a pickup, I'd get a good-playing acoustic violin and contact Gismo -- gismobucks@yahoo.com -- he manufactures pretty good, easy-to-install piezo pickups (I have his on my cello and my violone) and I'd just use that.

But if I wanted a real electric, I'd go for a Zeta

http://www.zetamusic.com/

which is the preferred brand of Boyd Tinsley, Charlie Daniels, and a slew of less-well-known but highly regarded fiddlers in pop, country, and celtic. They also make acoustic-electrics. New, they're much more expensive than the Barcus-Berry you're considering, but you can find used ones on ebay that might fall within your price range.

The added attraction of the Zeta and other models is that you can get them with contemporary geared tuners (which I think are preferable, since you don't dampen the strings with a fine-tuner near the bridge--having less junk near the bridge enhancs the tone more, I think, than having wood peg tuners) and with a fifth baritone-range string. And even frets if you like.

Piezo Contact

Piezo Contact

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Piezo Contact

Design of metal detector using the induction balance system application

Design of metal detector using the induction  balance system application

                                      1 James agajo 2 Azih Conelius 

Dept. of Electrical and Electronics Engineering,  Federal Polytechnic, Auchi, Edo state Nigeria        

                        Phone: +2348053312732 , agajojul@yahoo.com

ABSTRACT: An embedded system logic approach was used to achieve metal detection,. The controller is simulated to realize this. Three technologies were used Very low frequency (VLF) Pulse induction (PI) Beat-frequency oscillation (BFO) , The issue of safety and security were also emphasized.

Keyword: Microcontroller, low frequency, detector, security, oscillators, sensors

1.0                   INTRODUCTION

Towards the end of the 19th century, many scientists and engineers used their growing knowledge of electrical theory in an attempt to devise a machine which would pinpoint metal. The use of such a device to find ore-bearing rocks would give a huge advantage to any miner who employed it. The German physicist Heinrich Wilhelm Dove invented the induction balance system, which was incorporated into metal detectors a hundred years later. Early machines were crude, used a lot of battery power, and worked only to a very limited degree. Alexander Graham Bell used such a device to attempt to locate a bullet lodged in the chest of American President James Garfield in 1881; the attempt was unsuccessful because the metal bed Garfield was lying on confused the detector.[1]

1.2  Trends

Many manufacturers of these new devices brought their own ideas to the market. Whites Electronics of Oregon began in the 50's by building a machine called the Oremaster Geiger Counter. Another leader in detector technology was Charles Garrett, who pioneered the BFO (Beat Frequency Oscillator) machine. With the invention and development of the transistor in the 50's and 60's, metal detector manufacturers and designers made smaller lighter machines with improved circuitry, running on small battery packs. Companies sprang up all over the USA and Britain to supply the growing demand.[2]

Larger portable metal detectors are used by archaeologists and treasure hunters to locate metallic items, such as jewelry, coins, bullets, and other various artifacts buried shallowly underground.[3]

1.3       METHODOLOGY

Metal detectors use one of three technologies:

  • Very low frequency (VLF)
  • Pulse induction (PI)
  • Beat-frequency oscillation (BFO)
  1. [4]

1.4                   VLF Technology

Very low frequency (VLF), also known as induction balance, is probably the most popular detector technology in use today. In a VLF metal detector, there are two distinct coils:

  • Transmitter coil - This is the outer coil loop. Within it is a coil of wire. Electricity is sent along this wire, first in one direction and then in the other, thousands of times each second. The number of times that the current's direction switches each second establishes the frequency of the unit.
  • Receiver coil - This inner coil loop contains another coil of wire. This wire acts as an antenna to pick up and amplify frequencies coming from target objects in the ground. [5]

The current moving through the transmitter coil creates an electromagnetic field, which is like what happens in an electric motor. The polarity of the magnetic field is perpendicular to the coil of wire. Each time the current changes direction, the polarity of the magnetic field changes. This means that if the coil of wire is parallel to the ground, the magnetic field is constantly pushing down into the ground and then pulling back out of it.

1.5                   PI Technology

A less common form of metal detector is based on pulse induction (PI). Unlike VLF, PI systems may use a single coil as both transmitter and receiver, or they may have two or even three coils working together. This technology sends powerful, short bursts (pulses) of current through a coil of wire. Each pulse generates a brief magnetic field. When the pulse ends, the magnetic field reverses polarity and collapses very suddenly, resulting in a sharp electrical spike. This spike lasts a few microseconds (millionths of a second) and causes another current to run through the coil. This current is called the reflected pulse and is extremely short, lasting only about 30 microseconds. Another pulse is then sent and the process repeats. A typical PI-based metal detector sends about 100 pulses per second, but the number can vary greatly based on the manufacturer and model, ranging from a couple of dozen pulses per second to over a thousand. Pulse Induction detectors are now widely used in the construction industry; the Whites PI-150 is an industrial machine which can detect large objects to 10 feet, using a 12 or 15 inch coil.

 2.0    MODULE ANALYSIS

  • Dc power supply

This unit supplies the necessary d.c voltages for the circuit operation

  • Reference coil oscillator

This oscillator contains the reference coil as the inductive element and set the frequency to which that from the oscillator two is referred to.

  • Search coil oscillator

This is the second oscillator which contains the search coil as its inductive element. The inductance of the search coil changes when it locates a metal, which in turn changes the frequency of the oscillator. This frequency is compared with that from the oscillator one to produce a beat note.

  • Mixer

The pulses produced by each oscillator are mixed in the mixer unit and the sum filtered to ground.

  • Gain filter

The gain filter processes and amplifies the difference of the mixed pulses from the mixer and drives a piezo buzzer with it.

  • Output transducer(load)

The output transducer converts the electrical signal into audible sound to give an audio indication of the presence of a metal.

2.1   OBJECTIVE

The aim of the project is to ease the trouble of trying to locate a useful metallic object in a particular or specified environment. As the trouble of straining the eyes is drastically reduced when the metal detector is used in the workshop where small metallic components could be easily misplaced. Also at security posts for searching people and their luggage.

P=I2R= IV= V2/R

All three equations are equivalent. The first is derived from Joule's law, and the other two are derived from that by Ohm's Law.

The total amount of heat energy released is the integral of the power over time:

W= ?v(t)i(t)dt.

If the average power dissipated exceeds the power rating of the resistor, the resistor may depart from its nominal resistance, and may be damaged by overheating. Excessive power dissipation may raise the temperature of the resistor to a point where it burns out, which could cause a fire in adjacent components and materials.

2.2   Series and parallel circuits

  • Parallel circuit

Resistors in a parallel co nfiguration each have the same potential difference (voltage). To find their total equivalent resistance (Req):

1/Req = 1/R1 + 1/ R2….. +.. 1/ Rn

The parallel property can be represented in equations by two vertical lines "||" (as in geometry) to simplify equations. For two resistors,

Req = R1//R2= R1R2/(R1+R2)

  • Series circuit

The current through resistors in series stays the same, but the voltage across each resistor can be different. The sum of the potential differences (voltage) is equal to the total voltage. To find their total resistance:

Req= R1 + R2 +…..+ R2

 

Parallel and series network

A resistor network that is a combination of parallel and series can sometimes be broken up into smaller parts that are either one or the other. For instance,

Req = (R1//R2) + R3= (R1R2)/(R1+R2)+R3

However, many resistor networks cannot be split up in this way. Consider a cube, each edge of which has been replaced by a resistor. For example, determining the resistance between two opposite vertices requires matrix methods for the general case. However, if all twelve resistors are equal, the corner-to-corner resistance is 5?6 of any one of them.

2.3                   Electric circuits

When a capacitor is connected to a current source, charge is transfered between its plates at a rate i(t) = dq(t) / dt. As the voltage between the plates is proportional to the charge, it follows that

V(t) = 1/c q(t) = 1/c?i(?)d ?

Conversely, if a capacitor is connected to a voltage source, the resulting displacement current is given by

I(t)Cdv(t)/dt

For example, if one were to connect a 1000 µF capacitor to a voltage source, then increase the sourced voltage at a rate of 2.5 Volts per second, the current flowing through the capacitor would be

I= Cdv/dt =(1000x10-6F)(2.5V/s)=2.5mA

Ø   DC sources

A circuit containing only a resistor, a capacitor, a switch and a constant (DC) voltage source vsrc(t) = V0 in series is known as a charging circuit. From Kirchhoff's voltage law it follows that

Vo=Vr(t) + Vc(t) = i(t)R I/C? i(?)d?

where vr(t) and vc(t) are the voltages across the resistor and capacitor respectively. This reduces to a first order differential equation

Assuming that the capacitor is initially uncharged, there is no internal electric field, and the initial current is I0 = V0 / R. This initial condition allows solution of the differential equation as

.i=Vo/Rexp(-t/RC)

The corresponding voltage drop across the capacitor is

v(t)=Vo[1-exp(-t/RC)]

Therefore, as charge increases on the capacitor plates, the voltage across the capacitor increases, until it reaches a steady-state value of V0, and the current drops to zero. Both the current, and the difference between the source and capacitor voltage decay exponentially with respect to time. The time constant of the decay is given by ? = RC.

2.4                   Series or parallel arrangements

  • parallel circuits

Capacitors in a parallel configuration each have the same potential difference (voltage). Their total capacitance (Ceq) is given by:

Ceq =C1 +C2 + ……..+Cn

The reason for putting capacitors in parallel is to increase the total amount of charge stored. In other words, increasing the capacitance also increases the amount of energy that can be stored. Its expression is:

Estored = ½ CV2

  • Series circuit

The current through capacitors in series stays the same, but the voltage across each capacitor can be different. The sum of the potential differences (voltage) is equal to the total voltage. Their total capacitance is given by:

1/ Ceq = 1/ C1 + 1/ C2+……..+ 1/ Cn

In parallel, the effective area of the combined capacitor has increased, increasing the overall capacitance. However, in series, the distance between the plates has effectively been increased, reducing the overall capacitance.

Ø      Noise filters, motor starters, and snubbers

When an inductive circuit is opened, the current through the inductance collapses quickly, creating a large voltage across the open circuit of the switch or relay. If the inductance is large enough, the energy will generate a spark, causing the contact points to oxidize, deteriorate, or sometimes weld together, or destroying a solid-state switch. A snubber capacitor across the newly opened circuit creates a path for this impulse to bypass the contact points, thereby preserving their life; these were commonly found in contact breaker ignition systems, for instance. Similarly, in smaller scale circuits, the spark may not be enough to damage the switch but will still radiate undesirable radio frequency interference (RFI), which a filter capacitor absorbs. Snubber capacitors are usually employed with a low-value resistor in series, to dissipate energy and minimize RFI. Such resistor-capacitor combinations are available in a single package.

Ø      Tuned circuits

In a tuned circuit such as a radio receiver, the frequency selected is a function of the inductance (L) and the capacitance (C) in series, and is given by:

.f = 1/2??LC

This is the frequency at which resonance occurs in an LC circuit.

2.5                  INDUCTOR

An inductor is a passive electrical component with significant inductance. Inductors are implemented by some sort of coiled conductive winding which may surround a ferromagnetic core. Large inductors used at low frequencies may have thousands of turns around an iron core; at very high frequencies a straight piece of wire (i.e., with turns and core reduced to zero) has significant inductance.

An "ideal inductor" has inductance, but no resistance or capacitance, and does not dissipate energy. A real inductor is equivalent to a combination of a significant ideal inductance, some resistance, and capacitance, usually small. The resistance, a necessary property of a wire except at superconducting temperatures, may contribute significantly to the impedance, and may dissipate significant power in some applications. At some frequency, usually much higher than the working voltage, a real inductor behaves as a resonant circuit, and can cause parasitic oscillation.

 

3.0                   INDUCTOR CIRCUIT ARRANGEMENT

·         parallel circuit

Inductors in a parallel configuration each have the same potential difference (voltage). To find their total equivalent inductance (Leq):

1/Leq=1/L1 + 1/L2 +……+ 1/Ln

series circuit

The current through inductors in series stays the same, but the voltage across each inductor can be different. The sum of the potential differences (voltage) is equal to the total voltage. To find their total inductance:

Leq = L1 + L2 + ….+Ln

 

These simple relationships hold true only when there is no mutual coupling of magnetic fields between individual inductors.

 

4.0        INTRODUCTION

This chapter deals with the design methods and the analysis employed in the design of the electronic metal detector system. These analyses are required to make the correct choice of component values for effective performance.

 

4.1     DESIGN SPECIFICATION

 Power source:
Any two 9v battery PP3 is ideal.

Capacitors:
2 off  220uF 16v electrolytic.
5 off  .01uF polyester.
5 off  .1uF polyester.

Resistors:
All resistors 1/4 watt 5%
6 off  10k
1 off  1K
1 off  2.2M
2 off  39k

Transistors:
All BC 337B. Just about any small signal NPN with a gain of 250+ will do. There are hundreds to choose from.

Audio output:
A 2.5 inch 8 ohm speaker will work but headphones, buzzer or earpiece are preferable, the higher the impedance the better.

4.2                   Power supply Circuit

The main power supply to the circuit is from two 9v batteries connected in series to produce 18v and then regulated and maintained at 12v by using a 7812 voltage regulator.

 power supply circuit

The input to the 7812 regulator is calculated thus

Series connection of batteries is given by pt = p1 + p2 + p3 +…

Therefore the power input to the regulator is pt = p1 + p2

pt = 9+9 =18v

3.1.2                Oscillator Circuit

The oscillator circuit are made up of two different oscillators which are the sensor oscillator and the local or reference oscillator. Their frequencies of oscillation are set at 124khz since they are to operate at the same frequency. The two oscillator circuits are series LC circuit comprising of a BC 337 NPN transistors each for effective oscillation.

  • The sensor oscillator

To calculate the inductance of the inductor the resonance frequency formula is used

F = ( 2? (LC)1/2 )-1

Where F = frequency in Hertz which is set at 124khz

           L = inductance of the inductor

            C = capacitance of the capacitor

L = 1/ ( 4?2CF2 )

L = 1/ ( 4 x (3.142)2 x0.1x10-6 x (124 x 103 )2 )

L = 16.47µH

Then to calculate the number of turns, Wheeler’s formula for coils is applied

L = N2 r2/ 9r + 10l

Where N = number of turns

r = outer radius of coil (inches)

l = physical length of coil (inches)

L = 16.47outer radius of coil (inches)

l = physical length of coil (inches)

L = 16.47µH

r = C/ 2?    where C = circumference of the coil former

r= 3.6cm/2 ? =0.57cm

Converting to inches we have

2.54cm – 1inch

0.57cm -  ?

0.57 / 2.54 =  0.23inches

L = 2.36 inches

N2 =L( 9r + 10l) / r2

     = 16.47( 9x0.23 + 10x2.36 ) / 0.232

N2 = 89 Turns

Applying the resonant frequency formula to calculate the inductance here we have:

L = 1/ ( 4?2CF2 )

Where F = 124khz , C =  0.1µF

L = 1/ ( 4 x (3.142)2 x0.1x10-6 x (124 x 103 )2 )

L = 16.47µH

Then using the Wheeler’s formula to find the number of turns

L = N2 r2/ 9r + 10l

 Where r = C/ 2?  = 52 / 2?

8.27cm == 3.26inches

L = 0.6 cm == 0.24inches

N2 =L( 9r + 10l) / r2

N2 =  16.47 ( 9x3.26 + 10x0.24 ) / 3.262

N = 7 Turns

4.3                   Amplifier Circuit

A common emitter (CE) transistor amplifier was used because of its characteristics which include:

  • Its output resistance is moderately large (50k or so)
  • Its current gain (?) is high (50 – 300)
  • It has high voltage gain of the order 1500 and above
  • It produces very high power gain of the order of 10,000 times or 40db.

The transistor used is a BC337 NPN transistor.

In a proper design the amplifier circuit operates normally when

VCE = ½ VCC

Also for a CE configuration

VCE = VCC – ICRL

hfe = IC / IB

Where VCE = collector emitter voltage

hfe = absolute minimum gain for the selected transistor which is 100

            IC = collector current

            IB = base current

Therefore RL = (VCC – VCE) / IC

The Voltage gain is given by

AV = ro / re

Where ro = output resistance of the stage

            re = emitter junction resistance

                  25Mv / IE.

4.4                   Beat Frequency Oscillator Technology

The circuit employs two radio frequency oscillators called the search and the reference oscillators and is tuned at the same frequency. the  output of the oscillator is fed into a mixer, which produce a signal that contains the sum and difference frequency components of the two input signals.

  1.         The output from the mixer is fed into a low-pass(gain) filter where the harmonic is removed leaving the difference frequency component to subsist, though at theoretically 0Hz , as a result the output will have no difference. However, when metal is brought into the vicinity of the search coil, the frequency of search oscillators shifts slightly, then a there is a frequency difference, which is within the audio frequency range, appears at the output of the filter. This output is amplified by an audio amplifiers and fed to a loud speaker which produces sound output thus indicating the presence of metal        

 

5.0                   TESTING AND ANALYSIS

The following test was performed on the project circuit to ascertain the condition of the different stage and the project as a whole:

Short Circuit Test

The connections were checked with a multimeter set in continuity to ensure no short circuit occurs. The test was done and no short circuit was found.

Open Circuit Test

The various connections were checked for open circuit and none was found using multi meter.

Functional Test

 The different voltage value and current value were measured at each stages and all were found in confirmation with the design specifications.

Insulation Test

Insulator test was carried out in all units of the circuit especially those units that require         adequate insulation. Example, coil used in the oscillators.

SYSTEM  PERFORMANCE AND TEST RESULT

The  metal detector was used to test for various sizes of metal at various distance  from the search coil and the following result were obtained.

(i)     The lager the metal, the louder the sound output from the loud speaker and  smaller the metal , the lower the sound output from the loud speaker – though this also dependent on the size of the search coil.

(ii)   The closer the distance  between the search head and  the metal, the greater the sound output from  the loud speaker  and the farther the distance the fainter the sound output from the loud speaker, to extent the sound die off at some critical distance where theoretically the magnetic field due to the search head is zero.

6.0                   CONCLUSION

The beat frequency oscillator (BFO) principle is one of the reliable simple and cast effective principles of building a metal detector .though some price are paid for these seemingly advantages and they includes.

(i)     Low sensitivity

(ii)   Short range of detection. Though depended on the size of search coil.

(iii) Not be able to discriminate metals

All these is nothing at all,It is interesting to know that the design and construction of metal detector is a success. This is because the project when tested produced the desired effect. In particular, this research work had made the principle of electromagnetic induction very clear to me as well as to any average literate person around me. In general, with the invention of metal detectors, the stress of one indulging in locating metallic components in a workshop has been reduced drastically. Also the embarrassment banks and other establishment cause their customers has been solved as some of the metal detectors are mounted on door entrances so as to trigger up an alarm when a metal is detected on s person trying to enter.

 

                        REFERENCES

 

1          Edeko, F.O, “Electronics circuit design material”  2008

2          A textbook of electrical technology by B.L. Theraja and A.K. Theraja, S. Chard and company, 2005.

3          Study of electronic components by J.A. Smith (2nd edition) , 1999

4          Electronic circuit analysis and design by Donald A. Neumann, Mc Grawhill Book Company, USA 1996.

5          Amplifiers comparators and special functions, Texas instrument, Data book volume B, Custom Printing Company’s,1997.

How to make a piezo contact mic?

Would I be able to turn a rather large piezo speaker I bought at radioshack into a piezo contact mic? If so how would i be able to do it?

A typical piezo transducer is a brass disc with a silver substance deposited on the middle of one side. I will asume this is what you have. To use it as a contact microphone solder a small diameter piece of coaxial shielded wire of appropriate length to the side with the silver center. Connect the outer shield braid to the brass border and the inner wire to the silver part. To do this precoat the stripped ends of your lead wire with solder (this is called tinning the wire) so as to keep the heat applied to the piezo to a minimum. Then using a small wattage soldering iron apply a small solder blob to the brass border and to the silver part. Now you can touch the wires to the appropriate solder blobs and apply heat. This should give you reliable connections withot applying heat for more than a few seconds at a time which may damage the piezo. To connect your new contact microphone to an amplifier you can wire the other end of the lead wire to a standard 1/4 inch mono phone jack, connecting the center wire to the tip lug of the jack and the shielding braid to the ground lug. From there you can plug in a standard instrument cable to connect to your amplifier. To attach the pickup to your instrument you have several options such as epoxy, double sided tape, or any method that holds the pickup in firm contact with the instrument. However I recomend that you use a non permanent method until you find a sweet spot on the instrument (typically near the bridge on a stringed instrument for example) that sounds the best and minimizes this type of pickup's tendancy to cause feedback. I use a pickup (microphone) just like this in my repair shop to tune acoustic instruments with my electronic tuner.

Piezo Mic

Piezo Mic

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Piezo Mic

How can I make a homemade microphone and speaker?

I have a piezo transducer and would like to make a contact mic, but I would like to connect that to a speaker. Is it possible to connect the transducer to a battery and then to a mini speaker, say an earbud?

You will need some type of amplifier too. You cannot connect a mic directly to a normal speaker with no amplifier.

Here is a great little battery powered amp:

http://www.radioshack.com/product/index.jsp?productId=2062620

Microphone Cable

Microphone Cable

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Microphone Cable

Different Uses of Various Microphones

Microphones are used in many applications such astelephones, tape recorders, hearing aids, motion picture production, live and recordedaudio engineering, in radio and television broadcasting and in computers for recording voice, VoIP, and for non acoustic purposes such as ultrasonic checking.

A microphone is a device made to capture waves in air, water or hard material and translate them into an electrical signal. The most common method is via a thin membrane producing some proportional electrical signal. Most microphones in use today for audio use electromagnetic generation are dynamic microphones, capacitance change condenser microphones or piezoelectric generation to produce the signal from mechanical vibration.

Uses of different kinds of microphones
Condenser microphones span the range from cheap instruments to high quality instruments. They generally produce a high quality audio signal and are now the popular choice in laboratory and studio recording applications. They require a power source, provided generally from microphone inputs from a small battery.

Professional microphones often sport an external power supply for reasons of quality perception. Power is necessary for establishing the capacitor plate voltage, and is also needed for internal amplification of the signal to a useful output level. Condenser microphones are also available with two diaphragms, the signals from which can be electrically connected such as to provide a range of polar patterns such as cardioid and omnidirectional.

Carbon microphone, formerly used in telephone handsets, is a capsule containing carbon granules pressed between two metal plates. The carbon microphone can also be used as a type of amplifier, using a small amount of sound energy to produce a larger amount of electric energy. Carbon microphones were used as early telephone repeaters, making long distance phone calls possible in the era before vacuum tubes.

Crystal microphones used to be commonly supplied with vacuum tube or valve equipment such as domestic tape recorders. Their high output impedance matched well to the high input impedance of the vacuum tube input stage. They were difficult to match to early transistor equipments and were quickly supplemented by dynamic microphones for a short while, and later small eletret condenser devices. The high impedance of the crystal microphone made it very susceptable to handling noise, partly from the microphone itself, but also from handling of the connecting cable.

Shotgun microphones are high directional microphones. They have small lobes of sensitivity to the left, right, and rear but are significantly more sensitive to the front. This results from placing the elements inside a tube with slots cut along the side and wave cancellation eliminates most of the off axis noise. Shotgun microphones are commonly used on TV and film sets, and for field recording of wildlife.

Conclusion
The microphone is a ubiquitous piece of equipment and comes in a number of models. Found in everything from telephones to computers to recording studios, microphones are part of our daily life. It is perhaps the most critical part of the audio chain. A good quality microphone will provide the basis for excellent audio, whereas a poor quality will mean poor quality audio, no matter how good the rest of the system is.

I have a Shure SM58 Microphone. Is there a cable that I can hook it to my computer with to record?

The Shure SM58 is a cardioid condenser microphone and requires 12 to 48 Volts DC to operate, you cannot just plug it into your computer and expect it to work without a compatible power source.

http://www.coutant.org/sm85/index.html

Mic Microphone

Mic Microphone

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Mic Microphone

Home Recording Guitar - Why You Need a Mic Pre-amp

The signal that a microphone picks up is actually very low, and needs to be boosted for it to be used with your recording device. This is exactly what a microphone -preamp does; it boosts the signal to a level that is useable for recording.

Initially, you'll probably want to use the pre-amps built into your mixer or interface, if you happen to have either, as it will save money. However, these kinds of preamps are often of a fairly low quality. Basically, with microphone preamps, you pay for sound quality. Musicians after the absolute best quality sound could well spend $3000 on a preamp. If however you are just starting out and have perhaps a budget of $1000 you could use the preamps on your mixer or your audio interface.

It’s not only budget that affects the output quality on the preamp, you must also know how correctly set levels etc. Let’s talk a little about the features you’ll find on most microphone preamps, and some tips to ensure you get the optimal sound.

Input - Set the input to high as possible providing the meters are not crossing into the red. Having the levels reaching red is introducing distortion, which is going to go through the entire signal path. Meaning that when you listen back to your recording on the computer, you’re likely to hear a lot of crackling noises. So again, push the signal as high as possible but do not let it enter the red.

Pad - This is a great feature if you are recording sounds other than guitar. For instance if you were to microphone a loud sound source like snare drum even with the input turned all the way down the levels may still be hitting red. Select this feature and it will help to tame the sound further and make it useable.

Phantom Power - This is a power source that is sent through a microphone cable to a microphone that needs it, such as a condenser microphone. It’s good to note that some fairly cheap preamps only offer +30v, and some condenser microphones may not perform to their best at this level. It’s nice to have phantom power built in to your microphone preamp otherwise you would have to get a separate phantom power source.

Number Of Preamps - This can range from one single preamp right through to eight preamps in one box. What you are recording will generally determine how many you will need. Vocals are usually recorded in mono, whilst acoustic guitars could be recorded in stereo. Perhaps you are recording an entire band and require one for each amplifier and vocalist, along with several for the drums.

High Pass Filtering - This generally means that all the highs will pass through while the lows are cut. Microphones pick up an astounding amount of bass so this is a great feature to have. Of course, this can be corrected using software, though you may as well resolve the problem at the source so you don’t have to worry about it later.

Hopefully this has given you an insight to what a microphone preamp does, and what features to look for when shopping around. Have a read through the bullet points again and compare your list of needs with the features of available on a variety of preamps. Hopefully you will be able to find a product that suits your needs.

Is It Possible to Use a Karaoke Revolution Microphone for a computer mic?/How?

my lil sister used her high school musical (for the wii) mic as a computer mic so i don't see why karaoke revolution wouldent work

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