Affinity Series
Affinity Series
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 FENDER SQUIRE STRAT AFFINITY SERIES  US $120.95
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 Hot Wheels Purple Passion Limited Auto Affinity series real riders US $2.99
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 Fenders Squire Bullet Affinity Series w Seymour Duncan Great Buy US $99.99
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 Fender Strat Squire Affinity Series Guitar Neck Serial CYOOO84108 US $39.99
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 FENDER SQUIER AFFINITY SERIES P BASS GUITAR US $99.99
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 FENDER Squier Affinity Series Tremolo Arm US $6.99
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 Ducane Affinity Rotisserie Kit 4000 Series Gas Grills US $54.99
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 Ducane Affinity Rotisserie Kit 3000 Series Gas Grills US $54.99
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 blue FENDER SQUIER STRAT GUITAR Affinity Series US $75.00
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Whats the Difference between Fender Affinity Series J Bass and the Fender Affinity Series P Bass?
Im looking for my first bass and i was thinking between these two. I will mostly play classic rock and hardcore rock.
Fender Affinity Series P Bass-
http://www.guitarcenter.com/Squier-by-Fender-Affinity-Series-P-Bass-102581436-i1146352.gc
Fender Affinity Series J Bass-
http://www.guitarcenter.com/Squier-by-Fender-Affinity-Series-J-Bass-102581444-i1150678.gc
Also any other suggestions for a bass would be nice.
Thanks
Well to start off...ones a jazz bass and ones a P-bass...they have different pickups and usually different neck shapes...but the low end squires probably have the same neck.
P-basses are a little more boingy and round in tone while a jazz bass has alot of attack and better highs...if yer looking to play hardcore i would definately go for a jazz bass.
Also DO NOT use ernie ball strings on it....just trust me on this one...
Tube Classic
Tube Classic
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 PENTE Red Tube The Classic Game of Skill Complete US $14.99
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 Rode Classic II Tube Microphone US $1,549.00
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 Classic Westinghouse Tube Alarm Clock Radio Model H719T5 US $19.99
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 VINTAGE PENTE CLASSIC GAME OF SKILL GABREL 1982 BLACK TUBE COMPLETE US $16.05
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 CLASSIC PRINT Be bella Maternity Band nursing tube Large US $.99
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 Classic float tube flippers US $25.00
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A Case For Classical Conditioning
Remember that article I wrote about using positive reinforcement to deal with aggression? Well, obviously the scenario in it was hypothetical (the part about the snakes). That’s not to say that it won’t work, because it definitely would. However, since it was hypothetical I wanted to give you a real story using classical conditioning with a feral cat.
We’ve had a cat for a number of years who is feral. She spent all her time with our other cats who were not feral. Because she lived with them it was difficult to train her as we didn’t have room to separate them. Last year her last friend died. Since then I thought how miserable she must be all by herself. In addition, she is getting older, so the possibility of needing to medicate her at some point was pretty certain. With that in mind I had to find a way to train this cat who used to hide in her cubbyhole. She was so fearful that just us walking up the stairs would send her scrambling into her cat house.
The first step was to find something she liked. She didn’t want food when I was around so that was out. Cat treats, like Greenies, were unpredictable. Sometimes she’d take them, sometimes not. What I found though, is that she likes to be brushed! I found a soft bristle brush that I could use on her tail as she ran past. Pretty soon she started to run slower past me so I could brush her more. The next step was to only brush her as she walked towards me, but not away from me. Pretty soon she was coming over to sniff my shoes as I sat there and brushed her. Then she was rubbing her face into the brush and staying near me for minutes at a time.
To get to touch her I would brush her once, then run my hand down her back & immediatley brush her again. Sometime during this process she began to purr. She had never purred before, and here she was purring up a storm while I brushed her from face to tail. It was a good thing I started all of this, becasue while this was going on she became hyperthyroid and now needs to be medicated daily. In the past when she needed medication I had to squirt it on her fur & hope she licked enough off to do the job. Now it is imperative she receive all her medication because it can affect her kidneys as well.
The process to give her the medication goes like this. She likes routine so I go into her room where her cat stuff is. She runs into the bathroom and lays down. I walk up to her, open her mouth and squirt the medication in. Then I brush her at least until she purrs. Then she goes back into her room. She likes this routine and now, even though she isn’t running from me because she is scared, she still runs into the bathroom to be medicated.
Then, last month the doctor said it would be great if I could start giving her sub-cutaneous fluids, meaning I would have to stick a needle under her skin. Yikes!!! I’d done it with the other cats, but if you had asked me 6 months ago if she could get to that point I would have bet money against it. Then I figured if the San Diego Zoo can teach a diabetic monkey to place his arm into a tube for a blood test every day, I can teach a house cat to like having a needle stuck in her! The process went like this:
She’d run into the bathroom for her thyroid medication, I’d close the door so she couldn’t leave. I’d administer the drug then brush her until she purred. Then, while sitting on the floor with her I’d grab a small area of skin as I would if I was putting a needle in. Before she could react I’d brush her & let go of the skin. Repeat numerous times as long as she didn’t attempt to run. We’d always stop before it got to that point. After a few repetitions she could return to her room.
The last step was to actually put the needle in & give fluids while I brush her. At this point she is not sitting in my lap as the other cats did. She is lying on the floor in front of me while I brush her & stick her with a needle. Twice a day she is allowing me to do this, and she purrs the entire time. She knows what is coming yet she still goes into the bathroom, lies on the floor, and waits for me to put fluids into her.
A vet recently told me her cat runs from her when she tries to give him fluids. I thought how sad that is when it is so easy to make it nice and less stressful for everyone involved. The key is to find something the pet likes a lot and do that during or after whatever the perceived nasty thing is. So you would stick the needle in then while the fluids are running brush your cat, feed your dog wonderful things, whatever you can think of. Your cat, dog, ferret, whatever, will be better off for it and it won’t be a struggle for you.
I’d be interested to hear how others have used classical conditiong to get their animals to like things they didn’t like to do. You may have to think about it because you might have done it without a process in mind, but I bet you can come up with something.
Laura Bourhenne
Animal Attraction Unlimited
Copyright 2010
How do i repair my antique Radio?
I just bought a Tube-powered radio and it looks really great,classic and Majestic. But when I turn it on, it just makes a loud buzz and sometimes doesn't make a sound nor can i tune it to any Radio Station. What should I do to get it to work?
You can fix it quite easily and don't need advanced electronics knowledge because tube-powered radios are simple in comparison to modern electronics.commonly needed electronic components are readily available.For the most common repairs, you need to be able to read and to do simple soldering.ou don't need to replace a tube unless you have some evidence that it has failed. Other components, such as capacitors, are more common causes of trouble than tubes. Equipment you need is a multi-tester and a signal generator, a device that can generate audio and RF signals.
You should read this book.
Antique Radio Restoration Guide
David Johnson; Wallace-Homestead Book Company, Radnor PA 19089
Classic Celluloid
Classic Celluloid
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 2 CLASSIC GRETSCH 346 TORTOISE CELLULOID GUITAR PICKS US $6.99
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 Fender 351 Classic Celluloid Guitar Picks 12 Pack US $2.95
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 Gretsch Classic Celluloid Lg Triangle MedPicks 1 Doz US $3.89
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 Dunlop Celluloid Classic Guitar Picks 1 Dozen Abalone Medium US $3.95
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 12 Fender 351 Classic Celluloid Shell Thin Picks US $3.99
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Movies That Vocals and Lyric Poems Created
Pic soundtracks are popular, even if Songs and euphony are not full parts of the film. music makes the modality, while Vocals and their Lyric Poems reenforce this mode. Yet, there are multiplications when the Vocals and the Words from a detailed movie soundtrack can be thought as wider than the flick itself. These Songs and their Lyrics are more numerous than just iconic. When one cites a film, it is rare for anyone to fellow a particular song to it. However, with these Songs, the Films are merely secondary. Here are some of the iconic Vocals that facilitated create and ground Picture Shows into what they are now.
"My Heart Will Go On" by Celine Dion
Null can be heavier than Celine Dion's "My Heart Will Go On." The well-known (and sometimes infamous) composition song from the moving picture Titanic is perhaps the biggest song ever Made for a moving picture. And truly so, since Titanic is only the most high-ranking grossing celluloid in the existence (with a well-rounded gross of over a billion dollars-a effort during its release, and an accomplishment no other motion picture has duplicated). Many would debate that this song isn't incisively larger art. With Lyrics that go "Near, far, wherever you are / I believe that the heart does go on / Once more you open the door / And you're here in my heart / And my heart will go on and on," it is obvious that this song does not aspire to be great art. However, while many refuse to take this song as great euphony, they are self-imposed to provide that "My Heart Will Go On" made Titanic the motion-picture show that is.
"Grow Old With You," from The Wedding Singer
"Grow Old With You" is an unheralded hit. The song was executed not by a professional vocaliser but by an actor-comedian Adam Sandler, no less. The Lyrics of the vocal was very unsophisticated, something that fathoms like an Average Joe's ode to enjoy more umteen than anything else. Yet with its clean Lyrics and even more umpteen simpler music, "Grow Old With You" became an iconic vocal that corpse in the awareness of souls even until today. The Lyrics, while unsophisticated, are easy and tender. The choir of the Lyrics goes: "I'll miss you / Kiss you / Give you my coat when you are cold / Need you / Feed you / Even let ya hold the remote control." The Lyrics' thought may in fact be the song's fleece. The movie, while not wholly disregarded, is hardly saw part of mainstream pop refinement, but the song hangs on as forward day classic.
"I Don't Wanna Miss A Thing," by Aerosmith
Aerosmith is one of euphony's largest turns; "Independence Day" was one of the heaviest film of its time. Together, it Produced "I Don't Wanna Miss A Thing," a song that outlived the scrutiny of pop refinement critics radiate if the flick is now a great deal seen as an overrated drool. "I Don't Wanna Miss A Thing" is a karaoke fashionable, thanks to its accessible Lyrics. In fact, it was sang in television's biggest karaoke-type show-American Idol. In fact, the contestant who performed the song during its seventh season finally won the contention.
How thick is a medium Jim Dunlop classic celluloid pick?
About .88 millimeters.
Master Series
Master Series
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 Lot of 8 Audiobooks from the Master Developer Series by Nutrition for Life US $39.95
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 MASTER LOCK SMALL FORTRESS SERIES 1825D US $.99
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 MASTER LOCK SMALL FORTRESS SERIES 1807D US $1.75
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 COOLER MASTER Silent Pro Gold Series 1200W Modular PSU US $152.50
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 MASTER CUTLERY DELTA FIVE COMBAT SERIES KNIFENOS US $15.95
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 BATMAN Animated Series Talking View Master Set 1997 FREE POSTAGE US $14.99
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 ATLAS MASTER SERIES NORFOLK WESTERN SD 35 DCC DC US $109.50
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 1994 DC MASTER SERIES COMPLETE FOIL CHASE SET F1 F2 F3 AND F4 US $4.99
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 1994 DC MASTER SERIES COMPLETE BASE SET 90 CARDS US $3.99
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 Star Trek Master Series Foil Card S5 US $.99
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 Star Trek Master Series Foil Card S4 US $.99
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 Star Trek Master Series 2 Survey Card US $.99
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Yacht-master-men’s Classic Wrist Watch
Yacht-Master is a new series from Rolex which was not produced until 1992. And until 1997, Rolex launched Rolesium Yacht-Master (ref.16622)—Rolesium is a name created by Rolex, which means the stainless steel on the surface of white gold. Obviously the material of Rolesium attracted a lot of attention from many people and soon it became famous. Although Yacht-Master is not so shortage as Daytona, The supply lags behind the demand, and the margin between supply and demand is increasing day by day.
Yacht-Master is also the first wristwatch which has Rolex Maxi Dial in Oyster Professional series, named from the bigger markers and hands in the dial of Oyster Professional series.
Undoubtedly, Yacht-Master is a classic mens watch, which is a symbol of status and elegance.
Bigger markers and hands, means more shining materials could be painted and the corresponding nightlight effect will be better. Yacht-Master has the best visibility out of my Rolex collectors. When I am watching a movie in the cinema, it is easy for me to see the time, but other Rolex does not have such a feature. I expect that Rolex will apply the technology of Maxi Dial to all the Oyster Professional watches.
The bezel and dial of Yacht-Master are very good. They are all made of white gold, and the dial is protected by sapphire. Initially I worried about that the double directions rotary would be easy to be scratched, but later I found that it did not need to worry about this at all. The red second hand and the red words on the dial makes me think of Submariner and Sea-Dweller which also have red words.
Compared with Sea-Dweller, the case and spring bar of Yacht-Master are rounder and more shinning, actually the case is quite similar with Daytona. Bracelet of Yacht-Master is similar with Daytona and the middle connection is solid (unlike other Oyster Professional which is hollow) and its polish is quite beautiful. If in the future Yacht-Master will be short of something, that must be the watch button, like GMT Master and Explorer II, the button Yacht-Master uses is rotary locked button. I get to know from other watch lovers that they have to pay for the high quality button of Daytona so that they can assemble it on Yacht-Master (which is an easy job).
The diameter of Yacht-Master is 40mm, and the case is a little thinner than other Oyster Professional. The thin case and bright watch face show a semblance of fashion and well-made. Yacht-Master is the watch I love to wear most when wearing formal clothes. Although Yacht-Master has three locks, the water resistance which Rolex sets for Yacht-Master is 100m (Submariner is water resistant to 300m). As for Yacht-Master, which is a sports watch, such a water resistance is enough. Obviously it does not like Submariner or Sea Dweller, which are designed as diving watches!
What is inside the case is the best selling point for Yacht-Master-Rolex 3135 movement. 3135 is the self-winding movement of 31 diamonds made by Rolex itself. In these years,
Some wristwatch makers purchase spare parts and even movement from outside to improve the manufacture efficiency and reduce the production cost. However, Rolex does not care about high production cost and low efficiency, but to persist in its own design and production. Whether this strategy is good or not, we would not discuss it here, but you can not deny the success of 3135 movement.
3135 movement used by Yacht-Master has been put into production since 1989. In 16 years, 3135 movement has won a reputation as one of the most reliable and solid movement in history. Of course, there are also some people criticize that 3135 movement is not delicate and complex enough. From the very beginning of design, 3135 movement was designed for stainless steel Oyster and prepared to endure all sorts of rough environment; it is a proof of best functions. In addition, 3135 never lacks of technology complexity-the R&D department of Rolex is very good at it. Rolex used many technologies on 3135, such as overcoil of Breguet, Microstella adjustment screws, and Kif shock absorption. In a word, Rolex has set up a base which is not easy to reach by other wristwatch makers, which is beyond doubt. 3135 of Yacht-Master is also certified by COSC.
Yacht Master now has become the leading role in my wrist watches collectors, and now I am still puzzled that why not owning it earlier. The color of its white gold dial is easy to match any kind of clothes. But what is unfortunately is that the retailed price of Yacht-Master is pretty high-$7800, which is obviously higher than stainless steel Daytona and two-tone Submariner. Lol, from a positive point of view, the Yacht-Master of strengthened dial, bracelet and white gold obviously is the most perfect design in Rolex wrist watches.
For more replica watches, please visit http://www.idolreplicas.com/
What will the price of a Blackwing armor master and blackwing armed wing be after gold series 3 releases?
What will the price be approximately in £ and in $?
All answers related to this are welcome 
thank you
Sorry man, I only know prices in $. So, right now, Armor Master is $25 ulti, $20 ultra and Armed Wing is $15 super. I'd guess that ulti Armor Master will be $20, $15 ultra, and super Armed Wing will be $10 after GS3 comes out. The gold rare versions of the cards will be cheaper or more expensive, depending on whether they end up being short prints or not. No one knows. But, I'd guess the current versions of the cards will go down around $5 when the new pack comes out. I might be way off, but that's just what I think. I hope this helps!
Paul Celluloid
Posted by admin on January 11, 2010 · Leave a Comment
Paul Celluloid
Les Paul Trapezoid Crown Pearloid Celluloid inlays
Antique Celluloid Velvet Photo Album rose mountains Paul De Longpre flowers
Les Paul Trapezoid Crown Yellow Celluloid inlays
Les Paul Celluloid Sheet 8 x 4 for custom inlays
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LES PAUL Electric Medium Celluloid GUITAR PICK NECKLACE Leather Music Jewelry
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Celluloid Inlays Vintage Les Paul RESTORATION by JVG
12 LOT Bulk LES PAUL Medium Celluloid 351 Guitar Picks Plectrums
ANOUVEAU ROSE MOP CELLULOID SVINCENT PAUL PROTECTOR
NOS 1958 59 GIBSON LES PAUL STANDARD FINGERBOARD INLAY15THNITRO CELLULOID
NOS 1958 59 GIBSON LES PAUL STANDARD FINGERBOARD INLAY12THNITRO CELLULOID
NOS 1950S GIBSON LES PAUL STANDARD FINGERBOARD INLAY15THNITRO CELLULOID
NOS ORIG 1957 GIBSON LES PAUL STANDARD FINGERBOARD INLAY15THNITRO CELLULOID
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Vintage Celluloid Roly Poly Man in great Hat 30 40s Paul Mueller Germany
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Watch Tyler Perry's Why Did I Get Married Too? 2010
Watch Tyler Perry's Why Did I Get Married Too? 2010 visit
www.movie25.tk
In 1878, under the sponsorship of Leland Stanford, Eadweard Muybridge successfully photographed a horse named "Sallie Gardner" in fast motion using a series of 24 stereoscopic cameras. The experiment took place on June 11 at the Palo Alto farm in California with the press present. The cameras were arranged along a track parallel to the horse's, and each of the camera shutters was controlled by a trip wire which was triggered by the horse's hooves. They were 21 inches apart to cover the 20 feet taken by the horse stride, taking pictures at one thousandth of a second.[4]
Roundhay Garden Scene 1888, the first known celluloid film recorded.
The second experimental film, Roundhay Garden Scene, filmed by Louis Le Prince on October 14, 1888 in Roundhay, Leeds, West Yorkshire, England, UK is now known as the earliest surviving motion picture.
On June 21, 1889, William Friese-Greene was issued patent no. 10131 for his 'chronophotographic' camera. It was apparently capable of taking up to ten photographs per second using perforated celluloid film. A report on the camera was published in the British Photographic News on February 28, 1890. On 18 March, Friese-Greene sent a clipping of the story to Thomas Edison, whose laboratory had been developing a motion picture system known as the Kinetoscope. The report was reprinted in Scientific American on April 19.[5] Friese-Greene gave a public demonstration in 1890 but the low frame rate combined with the device's apparent unreliability failed to make an impression
At the Chicago 1893 World's Columbian Exposition, Muybridge gave a series of lectures on the Science of Animal Locomotion in the Zoopraxographical Hall, built specially for that purpose in the "Midway Plaisance" arm of the exposition. He used his zoopraxiscope to show his moving pictures to a paying public, making the Hall the very first commercial movie theater.[4]
William Kennedy Laurie Dickson, chief engineer with the Edison Laboratories, is credited with the invention of a practicable form of a celluloid strip containing a sequence of images, the basis of a method of photographing and projecting moving images.[citation needed] Celluloid blocks were thinly sliced, then removed with heated pressure plates. After this, they were coated with a photosensitive gelatin emulsion.[citation needed] In 1893 at the Chicago World's Fair, Thomas Edison introduced to the public two pioneering inventions based on this innovation; the Kinetograph - the first practical moving picture camera - and the Kinetoscope. The latter was a cabinet in which a continuous loop of Dickson's celluloid film (powered by an electric motor) was back lit by an incandescent lamp and seen through a magnifying lens. The spectator viewed the image through an eye piece. Kinetoscope parlours were supplied with fifty-foot film snippets photographed by Dickson, in Edison's "Black Maria" studio (pronounced like "ma-RYE-ah"). These sequences recorded mundane events (such as Fred Ott's Sneeze, 1894) as well as entertainment acts like acrobats, music hall performers and boxing demonstrations.
Kinetoscope parlors soon spread successfully to Europe. Edison, however, never attempted to patent these instruments on the other side of the Atlantic, since they relied so greatly on previous experiments and innovations from Britain and Europe. This enabled the development of imitations, such as the camera devised by British electrician and scientific instrument maker Robert W. Paul and his partner Birt Acres.
Paul had the idea of displaying moving pictures for group audiences, rather than just to individual viewers, and invented a film projector, giving his first public showing in 1895. At about the same time, in France, Auguste and Louis Lumière invented the cinematograph, a portable, three-in-one device: camera, printer, and projector. In late 1895 in Paris, father Antoine Lumière began exhibitions of projected films before the paying public, beginning the general conversion of the medium to projection (Cook, 1990). They quickly became Europe's main producers with their actualités like Workers Leaving the Lumière Factory and comic vignettes like The Sprinkler Sprinkled (both 1895). Even Edison, initially dismissive of projection, joined the trend with the Vitascope within less than six months. The first public motion-picture film presentation in Europe, though, belongs to Max and Emil Skladanowsky of Berlin, who projected with their apparatus "Bioscop", a flickerfree duplex construction, November 1 through 31, 1895.
That same year in May, in the USA, Eugene Augustin Lauste devised his Eidoloscope for the Latham family. But the first public screening of film ever is due to Jean Aimé "Acme" Le Roy, a French photographer. On February 5, 1894, his 40th birthday, he presented his "Marvellous Cinematograph" to a group of around twenty show business men in New York City.
The movies of the time were seen mostly via temporary storefront spaces and traveling exhibitors or as acts in vaudeville programs. A film could be under a minute long and would usually present a single scene, authentic or staged, of everyday life, a public event, a sporting event or slapstick. There was little to no cinematic technique: no editing and usually no camera movement, and flat, stagey compositions. But the novelty of realistically moving photographs was enough for a motion picture industry to mushroom before the end of the century, in countries around the world.
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