Dunlop Trigger

Dunlop Trigger

Dunlop 83CB Trigger Acoustic Curved Black Capo
Dunlop 83CB Trigger Acoustic Curved Black Capo
Paypal   US $13.50
Dunlop Acoustic Wood Trigger Guitar Capo 6 12 string
Dunlop Acoustic Wood Trigger Guitar Capo 6 12 string
Paypal   US $14.50
DUNLOP GUITAR TRIGGER CAPO BLACK 88B CLASSICAL NEW
DUNLOP GUITAR TRIGGER CAPO BLACK 88B CLASSICAL NEW
Paypal   US $13.89
Dunlop Trigger Curved Guitar Capo
Dunlop Trigger Curved Guitar Capo
Paypal   US $12.95
Dunlop Trigger Curved Guitar Capo Nickel
Dunlop Trigger Curved Guitar Capo Nickel
Paypal   US $14.99
Dunlop Trigger Banjo Capo
Dunlop Trigger Banjo Capo
Paypal   US $14.99
Dunlop Trigger Curved Guitar Capo Black
Dunlop Trigger Curved Guitar Capo Black
Paypal   US $14.99
Dunlop Trigger Flat Guitar Capo Black
Dunlop Trigger Flat Guitar Capo Black
Paypal   US $14.99
Dunlop Trigger Curved Guitar Capo Gold
Dunlop Trigger Curved Guitar Capo Gold
Paypal   US $14.99
Dunlop Trigger Banjo Capo Black
Dunlop Trigger Banjo Capo Black
Paypal   US $14.99
NEWDunlop Trigger Classical Guitar Capo Nickel FREE 2 DUNLOP PICKS
NEWDunlop Trigger Classical Guitar Capo Nickel FREE 2 DUNLOP PICKS
Paypal   US $15.95
Dunlop Trigger Flat Guitar Capo Gold
Dunlop Trigger Flat Guitar Capo Gold
Paypal   US $14.99
DUNLOP GUITAR TRIGGER CAPO GOLD 83CG ACOUSTIC NEW
DUNLOP GUITAR TRIGGER CAPO GOLD 83CG ACOUSTIC NEW
Paypal   US $16.89
DUNLOP MANDOLIN TRIGGER CAPO BLACK 86MB NEW
DUNLOP MANDOLIN TRIGGER CAPO BLACK 86MB NEW
Paypal   US $13.89
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FB FREE PICK
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FB FREE PICK
Paypal   US $14.00
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FG FREE PICK
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FG FREE PICK
Paypal   US $14.00
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FN FREE PICK
DUNLOP ACOUSTIC GUITAR TRIGGER CAPO FOR 6 AND 12 STRING GUITARS 84FN FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CB FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CB FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CG FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CG FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CN FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR ACOUSTIC CURVED NECK GUITARS 83CN FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR CLASSICAL GUITARS 88B FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR CLASSICAL GUITARS 88B FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR CLASSICAL GUITARS 88N FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR CLASSICAL GUITARS 88N FREE PICK
Paypal   US $14.00
DUNLOP GUITAR TRIGGER CAPO FOR ELECTRIC GUITARS 87N FREE PICK
DUNLOP GUITAR TRIGGER CAPO FOR ELECTRIC GUITARS 87N FREE PICK
Paypal   US $14.00
Dunlop 83CB Trigger Capo In Black
Dunlop 83CB Trigger Capo In Black
Paypal   US $13.74
NEW Dunlop 83CB Acoustic Black Trigger Capo
NEW Dunlop 83CB Acoustic Black Trigger Capo
Paypal   US $15.99
Dunlop Trigger Acoustic Capo Maple
Dunlop Trigger Acoustic Capo Maple
Paypal   US $19.95
DUNLOP GUITAR TRIGGER CAPO NICKEL 83CN ACOUSTIC NEW
DUNLOP GUITAR TRIGGER CAPO NICKEL 83CN ACOUSTIC NEW
Paypal   US $13.89
NEW Dunlop 87B Electric Black Trigger Capo
NEW Dunlop 87B Electric Black Trigger Capo
Paypal   US $15.99
Dunlop 84 FB 84FB Flat Trigger Action Capo for Steel Nylon Guitar Black NEW
Dunlop 84 FB 84FB Flat Trigger Action Capo for Steel Nylon Guitar Black NEW
Paypal   US $15.95
Jim Dunlop Acoustic Curved Trigger Gold finish Capo
Jim Dunlop Acoustic Curved Trigger Gold finish Capo
Paypal   US $17.98
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Dunlop Trigger

Finding Your Fat Loss Trigger

Everyone has a trigger - a point in time where you decide to finally take action. For some, it's a trip to the doctor's office. For others, it could be a special occasion where you want to look your best - a wedding, a reunion, or a beach vacation. For me, it was one of the socially awkward situations that fat people often find themselves in.

So there I was, breathing heavily and drenched in sweat. I had just "sprinted" (or as some might call it, "rumbled") through McCarran International Airport to catch the last flight back to the East Coast on a leisure trip to Las Vegas. My bags were strapped around my chest and digging into my ample man cleavage. You could hear the groans and huffs directed at the late arriving passenger as soon as I got on the jetway. Those quickly turned into eye rolls and squished faces as they saw my sweaty, fat self turn the corner and board the plane. I struggled to fit my bags, my gut and my rump down the extremely narrow aisle (it was later I realized that the aisle was so narrow because half the plane was as fat as I was, they just weren't sweating because they were on time). I arrived at my row to find that I was rewarded with a 757 middle seat...a fate worse than death for a fat man. Not only that, but the entire plane is waiting for me to stow my bags and get seated so we can make the long trek home.

So as I struggle to fit my bag under the seat, I could feel the eyes focused on my big, fat sweaty butt bent over, undoubtedly brushing the shoulder of the person across the aisle. Unfortunately, my rear was so big that I had kind of lost feeling in the farthest reaches of it, so if I was hitting into something I didn't really know it. I got my bags wedged in under the seat in front of me, and now it was time for the fun part - wedging my rump into the seat.

I could see the lucky person in the window seat fidgeting as I entered the row, staring out the window blankly with a scowl on her face. She knew that, not only was she going to be sitting next to a sweaty, fat guy for 4+ hours, but that if I needed some extra space I would most likely be leaning in her direction, as she was smaller in stature than the woman occupying the aisle seat.

I get into the seat and struggle with pulling the seatbelt out from under my weighty butt. The entire time I can see the beads of sweat flying to and fro and landing on the floor and seat in front of me - enough to make even me throw up in my mouth just a little. I am muttering to myself, praying that I won't need a seatbelt extension. Luckily I have enough abdominal strength to suck in just enough to get the seatbelt around me. When I breathe out again and try to sit back, I can feel the vinyl armrests digging into my sides and the cold sweat-soaked shirt slowly sticking to my skin all up and down my back. The woman on the aisle gave me a look of disgust as she sat back down, Mrs. Glass House that she was.

As the captain made his announcements, I could feel my heart rate return to "normal" and could also feel the rash forming on the sides of my gut from the relentless armrests - I certainly had a case of the Dunlops (my gut had "dun-lopped" over the armrests!)

Luckily, the woman on the window had a bladder like a camel, because I closed my eyes and fell asleep - probably filling the entire plane with animal-like snores from the excess neck fat I was carrying. I didn't want to risk being awake when the snack cart came around.

What was, in reality, 15 minutes from the time I got through airport security to the time I was seated, felt like an eternity to me. That happens when you are navigating through a most dreaded experience.

That was my watershed - or in this case, my fatshed - moment. It was then that I admitted to myself that I was fat and needed to do something about it.

Guitar capo for my classical guitar. Will a trigger capo work well? Have Jim Dunlop trigger one in mind.?

I need a capo for my classical guitar, but i'm worried a trigger capo won't be very good. Many seem to be curved and i'm thinking it wont be able to press down all the strings on the very flat fretboard my classical guitar has.

Any used a trigger capo on a classical guitar?

Here is the one I have in mind:

http://www.stringsdirect.co.uk/Catalogue/ViewProduct.aspx?productId=509

or should I buy one specifically made for the flat fretboards of classical guitars?

Thanks
will an adjustable one meant for acoustic/electric be ok for classical guitars? or vice versa?

The one that PJH showed is good....I have two for classical guitar....they are just the standard capos...and they work just fine..I've never needed a special one, I've always just bought a regular capo....and I've played for over thirty five years !!!!!

Capo Trigger

Capo Trigger

Green Acoustic Guitar Trigger Capo Alloy Rubber Pads
Green Acoustic Guitar Trigger Capo Alloy Rubber Pads
Paypal   US $.99
Acoustic Electric Guitar Green Clamp Trigger Capo New
Acoustic Electric Guitar Green Clamp Trigger Capo New
Paypal   US $.94
Beautiful Black Acoustic Guitar Trigger Capo Tool T043
Beautiful Black Acoustic Guitar Trigger Capo Tool T043
Paypal   US $.99
Alloy Adjust Acoustic Guitar Trigger Capo Clamp Silver
Alloy Adjust Acoustic Guitar Trigger Capo Clamp Silver
Paypal   US $1.57
New Silver Colour Acoustic Guitar Trigger Capo Tool
New Silver Colour Acoustic Guitar Trigger Capo Tool
Paypal   US $.96
Black Acoustic Electric Guitar Clamp Trigger Capo New
Black Acoustic Electric Guitar Clamp Trigger Capo New
Paypal   US $.96
Beautiful Green Acoustic Guitar Trigger Capo Tool T042
Beautiful Green Acoustic Guitar Trigger Capo Tool T042
Paypal   US $.99
New Acoustic Electric String Guitar Trigger Capo Clamp
New Acoustic Electric String Guitar Trigger Capo Clamp
Paypal   US $.01
Acoustic Electric Guitar Green Color Clamp Trigger Capo Quick Change
Acoustic Electric Guitar Green Color Clamp Trigger Capo Quick Change
Paypal   US $.02
Beautiful RED Acoustic Guitar Trigger Capo Tool
Beautiful RED Acoustic Guitar Trigger Capo Tool
Paypal   US $.94
New Guitar Trigger Capo Clamp Acoustic Electric String
New Guitar Trigger Capo Clamp Acoustic Electric String
Paypal   US $.01
Pro Golden Alloy Acoustic Guitar Trigger Capo Clamp New
Pro Golden Alloy Acoustic Guitar Trigger Capo Clamp New
Paypal   US $1.57
Silver Guitar Trigger Capo For Acoustic Guitar Well Fit
Silver Guitar Trigger Capo For Acoustic Guitar Well Fit
Paypal   US $3.16
Pro Green Alloy Acoustic Guitar Trigger Capo Clamp New
Pro Green Alloy Acoustic Guitar Trigger Capo Clamp New
Paypal   US $1.57
Pro Acoustic Electric Guitar Clamp Trigger Capo Green
Pro Acoustic Electric Guitar Clamp Trigger Capo Green
Paypal   US $1.57
New Pink Colour Acoustic Guitar Trigger Capo Tool Capos
New Pink Colour Acoustic Guitar Trigger Capo Tool Capos
Paypal   US $.98
Beautiful Silver Acoustic Guitar Trigger Capo Tool
Beautiful Silver Acoustic Guitar Trigger Capo Tool
Paypal   US $.98
Acoustic Guitar Music Trigger Capo Rubber Pads Silver
Acoustic Guitar Music Trigger Capo Rubber Pads Silver
Paypal   US $.99
Pink New Trendy High Quality Acoustic Electric Guitar Clamp Clip Trigger Capo
Pink New Trendy High Quality Acoustic Electric Guitar Clamp Clip Trigger Capo
Paypal   US $1.57
New Green Colour Acoustic Guitar Trigger Capo Tool Capos T042
New Green Colour Acoustic Guitar Trigger Capo Tool Capos T042
Paypal   US $.98
1x New Capo Trigger for Acoustic Electric Classical Guitar
1x New Capo Trigger for Acoustic Electric Classical Guitar
Paypal   US $.99
Superb Acoustic Electric Guitar String Trigger Capo
Superb Acoustic Electric Guitar String Trigger Capo
Paypal   US $2.63
Golden Acoustic Guitar Trigger Capo Alloy Rubber Pads
Golden Acoustic Guitar Trigger Capo Alloy Rubber Pads
Paypal   US $1.57
Green Large Size Acoustic Electric Guitar Clip Clamp Trigger Capo Brand New
Green Large Size Acoustic Electric Guitar Clip Clamp Trigger Capo Brand New
Paypal   US $1.57
NEW Acoustic Electric Guitar Green Clamp Trigger Capo
NEW Acoustic Electric Guitar Green Clamp Trigger Capo
Paypal   US $.02
Acoustic Electr​ic Guitar Trigger Capo Quick Change Portable High Quality
Acoustic Electr​ic Guitar Trigger Capo Quick Change Portable High Quality
Paypal   US $.99
Hotsale Green Acoustic Electric Guitar String Trigger Capo Iron
Hotsale Green Acoustic Electric Guitar String Trigger Capo Iron
Paypal   US $.99
Iron Green Superb Acoustic Electric Guitar String Trigger Capo
Iron Green Superb Acoustic Electric Guitar String Trigger Capo
Paypal   US $.99
New Black Colour Acoustic Guitar Trigger Capo Tool Capos T043
New Black Colour Acoustic Guitar Trigger Capo Tool Capos T043
Paypal   US $.98
Fashion Trigger black Guitar Capo Quick Change for Electric Acoustic Guitar
Fashion Trigger black Guitar Capo Quick Change for Electric Acoustic Guitar
Paypal   US $2.25
View Page:   1  2  3

Capo Trigger

Using the CAPO in Guitar Playing

Despite the similarity of the words, the capo is not your regular trigger-happy Mafia leader although it does come from the Italian word "capo tasto" which means head of finger board. Instead, the capo is a harmless gadget or device attached to a stringed instrument like a guitar, to raise its pitch.

Capos come in different brands but the common kinds are the elastic capos - which are the least expensive and most commonly used by guitar players, the nylon capos, and the steel string capos.

While it may look a bit strange and highly technical for non-guitar players, the capo can be easily attached to a guitar. It is placed on any of the frets of a guitar neck. A fret is a small ridge on the finger board of a stringed instrument. Or in layman's terms, it looks like equal divisions located in a guitar's neck or handle - the one attached to the guitar's semi-elliptical body.

To use the capo, just attach the device to any of the frets and make sure the clamp can hold all the strings down. Inspect for any kind of pulling of the guitar strings as it may cause the guitar to sound out of tune.

A special kind of capo, the third hand capo, is a gadget that can easily clamp all the strings of the guitar in place. Like the ordinary capos, it allows the guitar player to play tunes that may be difficult to play using the bare guitar strings.

If you have tried singing accompanied by a guitar, or just playing the guitar, you may be familiar with songs that are either too low or too high in pitch and you just can't reach the right pitch. This is where the capo comes to the rescue, by making the pitch right.

The capo is not only used by guitar experts but it also allows beginners to enjoy different kinds of tunes without difficulty. Using the capo can sometimes be frustrating for guitar players as they can hinder the proper playing or proper hand reaching.

While capos are used with stringed instruments, they are also commonly used with guitars. Guitars can either be acoustic or electric, but the basic method of playing the instrument remains the same.

Most guitars have a total of six strings but there are 12-stringed guitars so no matter how many guitar strings there are, they are most generally played by strumming or plucking the strings with a person's right hand. Sometimes, though, a pick is used to do the plucking or strumming. The left hand is used to hold the guitar in order to play a note or chord.

A guitarist must possess the following essentials:
1. Extra Strings - guitar strings usually break when you least expect them to so do yourself a favor by keeping extra strings for emergency purposes. Guitar strings should be changed every two months even if they do not break. But if you use your guitar more often than the regular guitar player you should try changing strings more than once every two months to keep your guitar in shape.

2. Picks - stock up on these little things because they are easy to lose. Guitar players who only have one pick and lose it use alternatives like carving a pick from a hard plastic but the professional pick is always better.

3. Capo - the capo is a very important device for guitar players because it can help them strum a higher pitch if a song proves to be too high or too low. You do not want to be frustrated if you cannot get the right pitch so invest in a good capo.

Guitar teachers advise their students, especially beginners, to use an electronic guitar tuner so they can focus on learning how to play the guitar. Like the basic tuner, the capo is one of the essential accessories a guitar player should have because it can easily change keys that sound awkward, with ordinary strumming.

If possible purchase the most durable and reliable capo, even if they are more expensive than the ordinary ones. But before buying a capo, you must first have a guitar on which it can be attached.

Guitar Capo????????????

Im looking for a guitar capo (I'm a beginner and have never had one) and I don't know what the different kinds are. Does it matter where I get it from or are they all the same? What is a trigger capo?

When choosing a Capo, it really doesn't matter too much, since they all work, even the cheap ones (the effect can also be achieved by strapping a #2 pencil across the strings with a rubber band). I think the biggest factor when choosing one is just in what it looks like.

A Trigger Capo is simply a capo which has a handle which allows you to squeeze it in order to clamp it onto the neck. It definatly works, but can be pretty bulky. A good Trigger Capo will probably run you about $15, unless you can find one on sale. Also, some specialty models will inevitably cost more.

Here is a picture:

http://web.telia.com/~u86505074/capomuseum/Side/Spring/Trigger_copy.jpg

My Capo of Choice is the Shubb Capo. It runs at about $15-$20, but is more compact than the Trigger Capo. It is easy to use, and the twist-to-fit screw means that it will work on virtually any sized guitar.

Here's a pic:

http://www.promusicaustralia.com/guitar/ACCImages/C5.jpg

I highly recommend this capo. It is light-weight, compact/portable, and extremely durable. It also will not scratch or damage the neck of your guitar. I've had mine for about 7 years, and It still works as well as the day I bought it!

Hope that helped.

Capo Electric

Capo Electric

Acoustic Electric Guitar Green Clamp Trigger Capo New
Acoustic Electric Guitar Green Clamp Trigger Capo New
Paypal   US $.94
Black Acoustic Electric Guitar Clamp Trigger Capo New
Black Acoustic Electric Guitar Clamp Trigger Capo New
Paypal   US $.96
New Acoustic Electric String Guitar Trigger Capo Clamp
New Acoustic Electric String Guitar Trigger Capo Clamp
Paypal   US $.01
New Guitar Capo for Electric Acoustic Guitars Capos
New Guitar Capo for Electric Acoustic Guitars Capos
Paypal   US $.99
Quick Change Capo For Acoustic Electric Guitar Black UK
Quick Change Capo For Acoustic Electric Guitar Black UK
Paypal   US $1.57
Acoustic Electric Guitar Green Color Clamp Trigger Capo Quick Change
Acoustic Electric Guitar Green Color Clamp Trigger Capo Quick Change
Paypal   US $.02
New Guitar Trigger Capo Clamp Acoustic Electric String
New Guitar Trigger Capo Clamp Acoustic Electric String
Paypal   US $.01
Pro Acoustic Electric Guitar Clamp Trigger Capo Green
Pro Acoustic Electric Guitar Clamp Trigger Capo Green
Paypal   US $1.57
Pink New Trendy High Quality Acoustic Electric Guitar Clamp Clip Trigger Capo
Pink New Trendy High Quality Acoustic Electric Guitar Clamp Clip Trigger Capo
Paypal   US $1.57
1x New Capo Trigger for Acoustic Electric Classical Guitar
1x New Capo Trigger for Acoustic Electric Classical Guitar
Paypal   US $.99
Superb Acoustic Electric Guitar String Trigger Capo
Superb Acoustic Electric Guitar String Trigger Capo
Paypal   US $2.63
Guitar Capo Quick Change Fr Electric Acoustic Guitar
Guitar Capo Quick Change Fr Electric Acoustic Guitar
Paypal   US $.02
Green Large Size Acoustic Electric Guitar Clip Clamp Trigger Capo Brand New
Green Large Size Acoustic Electric Guitar Clip Clamp Trigger Capo Brand New
Paypal   US $1.57
NEW Acoustic Electric Guitar Green Clamp Trigger Capo
NEW Acoustic Electric Guitar Green Clamp Trigger Capo
Paypal   US $.02
Guitar Capo Quick Change for Electric Acoustic Guitar
Guitar Capo Quick Change for Electric Acoustic Guitar
Paypal   US $.99
Hotsale Green Acoustic Electric Guitar String Trigger Capo Iron
Hotsale Green Acoustic Electric Guitar String Trigger Capo Iron
Paypal   US $.99
Iron Green Superb Acoustic Electric Guitar String Trigger Capo
Iron Green Superb Acoustic Electric Guitar String Trigger Capo
Paypal   US $.99
Fashion Trigger black Guitar Capo Quick Change for Electric Acoustic Guitar
Fashion Trigger black Guitar Capo Quick Change for Electric Acoustic Guitar
Paypal   US $2.25
Guitar Capo for Acoustic Electric guitar black
Guitar Capo for Acoustic Electric guitar black
Paypal   US $.01
Hotsale Electric Quick Change Acoustic Guitar Clamp Key Capo
Hotsale Electric Quick Change Acoustic Guitar Clamp Key Capo
Paypal   US $1.57
Green Iron Superb Acoustic Electric Guitar String Trigger Capo
Green Iron Superb Acoustic Electric Guitar String Trigger Capo
Paypal   US $1.57
Silver Acoustic Electric Guitar Clamp Trigger Capo New
Silver Acoustic Electric Guitar Clamp Trigger Capo New
Paypal   US $.98
Shubb Guitar Capo Acoustic Electric New C1 $$Low Ship$$
Shubb Guitar Capo Acoustic Electric New C1 $$Low Ship$$
Paypal   US $16.95
Flat Change Clamp Key Electric Acoustic Guitar Capo
Flat Change Clamp Key Electric Acoustic Guitar Capo
Paypal   US $1.08
New Electric Acoustic Guitar Trigger Change Capo Black
New Electric Acoustic Guitar Trigger Change Capo Black
Paypal   US $.99
Quick change Green Clamp Trigger Capo for 6 string Electric Acoustic Guitar
Quick change Green Clamp Trigger Capo for 6 string Electric Acoustic Guitar
Paypal   US $.81
Black Quick change Clamp Trigger Capo for Electric acoustic Guitar
Black Quick change Clamp Trigger Capo for Electric acoustic Guitar
Paypal   US $.81
Quick Change Acoustic Electric Guitar Clamp Key Capo
Quick Change Acoustic Electric Guitar Clamp Key Capo
Paypal   US $.01
Trigger Capo Steel 6 String Acoustic Electric Guitar
Trigger Capo Steel 6 String Acoustic Electric Guitar
Paypal   US $.99
NW Black Capo Quick Change For Electric Acoustic Guitar
NW Black Capo Quick Change For Electric Acoustic Guitar
Paypal   US $.99
View Page:   1  2  3

Capo Electric

The Nashville Number Chart System Demystified

The Nashville Number Chart System Demystified

by Clay Butler

 The Nashville Number Chart System is a shorthand form of musical notation for chord charts based on the diatonic scale degrees.  While the number system has been in existence for hundreds of years using roman numerals, it was adapted into its current form by Nashville session musicians as a quick way of making chord charts for each player.  Since the system uses diatonic chord numbers, the charts can be easily transposed to any key, and multiple players can use the same chart, even though they may be playing in different keys (for example, a guitarist using a capo).  It ultimately helps musicians to think in terms of chord progressions.  Let’s explore more of how this system works with a little basic music theory.

The Basics

 Firstly, any major key consists of seven notes, which are arranged in a specific sequence of whole steps and half steps.  Let’s break it down:

1

  (whole step)

2

  (whole step)

3

 (half step)

4

  (whole step)

5

  (whole step)

6

  (whole step)

7

  (half step)

1

 

 Now, let’s look at the key of C on the piano.  Starting with C and following all the white notes until we reach the next C is a Major scale.  Each time there’s a whole step between adjacent notes, there will be a black key.  Where there is a half step, there will not be a black key.  So the key of C major will look like this:

 

 1 - C

    (whole step)

2 - D

    (whole step)

3 - E

     (half step)

4 - F

     (whole step)

5 - G

     (whole step)

6 - A

     (whole step)

7 - B

     (half step)

1 - C

 

 

If we were to move up to D, we will have to adhere to the same pattern of whole steps and half steps in order to still be in a major key.  We will have to raise, or sharp, some notes.  Here’s the key of D.

 

 

1 - D

     (whole step)

2 - E

     (whole step)

3 - F#

     (half step)

4 - G

     (whole step)

5 - A

     (whole step)

6 - B

     (whole step)

7 - C#

     (half step)

1 - D

 

Second, if we were to build chords off of each note in the scale, the qualities of the chords (major, minor, diminished, or augmented) also fall into a set pattern.

 

1 = Major

2 = minor

3 = minor

4 = Major

5 = Major

6 = minor

7 = diminished

 

Combining these two patterns, we arrive at the diatonic chord pattern of the major scale.  Here’s an example using the key of A Major:

 

1 - A Major

   (whole step)

2 - B minor

   (whole step)

3 - C# minor

   (half step)

4 - D Major

   (whole step)

5 - E Major

   (whole step)

6 - F# minor

   (whole step)

7 - G# diminished

   (half step)

1 - A Major

 

In the Nashville system, if a number is used, we automatically assume that the quality of the chord falls into this diatonic pattern.  1, 4, and 5 will be Major, while 2, 3, and 6 will be minor.  7 will be diminished.  Often, though, secondary dominants or borrowed chords will be used, which change the quality of certain chords.  So, in the key of A Major, we may see a B Major chord, which is not native to the key.  We would simply call this 2M.  Similarly, in the key of A Major, the E would ordinarily be Major.  To make it minor, we would simply notate it as 5m.

We can also add extensions to the chord as well.  If we’re still in the key of A Major, an A Major7 would look like 1M7.  An F#m9 would be notated as 6m9.  Dominant 7 chords are a bit trickier, however.  We could reference E7 as 5dom7.  More commonly, though, we would just add an “x” between the chord number and the extension number.  For example, E7 would become 5x7.  If we extended that to E9, we would notate it as either 5dom9 or 5x9. 

The system easily allows you to notate chord inversions, poly chords, or pedal tones as well.  In A Major, an E with a G# in the bass would be written as 5/7.  An A/C# would become 1/3, and so on.  If we were in A Major and kept an A pedal tone, it would look like this:

 1                 4/1               2/1               5/1

The Rhythm

One handy advantage to using the number system instead of chord letters over lyrics, is that the chart is broken into measures.  This makes it much easier to see exactly where a chord falls within the music, thus making it easier to sight read.

Each chord is assumed to be its own measure, with usually four measures to a line.  Here’s an eight-bar progression consisting of one chord per measure:

 

1                  6                  4                  5

1                  4                  5                  1

 

Sometimes, though, there may be more than one chord to a measure.  In that case, we will enclose the chords in parenthesis.  If there are two chords within the parenthesis, we assume that they are two beats each (in 4/4 time).

 1                 4                 (2    5)                   1

In this example, bar 3 has two beats of the 2 chord and two beats of the 5.  When there are more than two chords per bar, or when there are two chords that have differing numbers of beats, we would simply place dots over the chord.  Referring to the previous example, perhaps we wanted the 2 chord to have 3 beats and the 5 chord to have one.  We would place three dots over the 2 and one dot over the 5.

If a chord is to be strummed once and held for the entire measure, we would draw a diamond shape around the chord.  If a chord is supposed to be hit once and immediately silenced, you will often see an exclamation point directly after the chord.  For instance:

 1                 4                 (2/5)            1!

 

Conclusion

The number system is really nothing new.  It’s an adaptation of the roman numeral system, which has been in use for centuries.  It is merely a modernized adaptation developed by Nashville session players.

All musicians on a recording session do not always “play” in the same key.  While the keys may sound the same, they may look different to different players.  The bassist may be playing B Major.  At the same time, the acoustic guitarist may be in G Major with the capo on the third fret.  Still, the electric rhythm guitarist may be playing in A Major with the capo on the second fret.  The keyboardist may prefer to play in B flat and transpose the keyboard up one half-step.  It would be a daunting task to chart the song out in four different keys.  What if the singer decides it’s too high or low and asks to transpose the song?  Using letters would require four more charts!  The Nashville Number System eliminates this burden.

Eventually, the use of this system trains the musician to play while focusing on the sound of the chord progression and less by regurgitating chords by letter.  Once you begin to think in terms of progression, you can chart any song simply by listening--no matter what key the song is in!

http://www.claybutlermusic.com

 © 2009 Butler Productions

How does CAPO work?

I'm using a Stagg acoustic/electric. I'm trying to play "Such Great Heights" by iron and wine, and it says I need to use a CAPO ON 6TH FRET.

How do I do that? I have a Capo, but I don't understand how it's supposed to be used.
I mean how do I attach the damn thing.

magic, just align it slowly making sure it is parallel to the fret, and then clamp it down. this will raise the pitch 3 steps, because if you think of each fret as a half step 2 frets is a whole.

Trigger Guitar

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Trigger Guitar

Download Free Wii Games How to Download Wii Games for Free Safely

The recent statistic indicates that more people in the world are moving toward playing the Nintendo Wii than any other gaming consoles. This is no wonder as this unique gaming console creates a lot of interaction with other people rather than just playing with fingers.

People are craving to get more variety of games ranged from 80th classic games to the latest games with amazing visual effects. This triggered the recent trend of downloading Wii games among those Wii owners. Downloading Wii games is possible in various ways, the most common of which are Wii Virtual Console through the Wii Shop Channel, peer-to-peer torrent sites and commercial Wii download service providers.

Wii Channel may be one of the most legitimate services to download Wii games safely from. However, it does cost a lot more than other services as you would most likely pay the highest retail price for each download.

 

Peer-to-peer torrent sites, on the other hand, can be free or very low cost but if you are thinking of using them to download Wii games, I would suggest you stay away from it. This is because many of these websites have viruses and spyware in most of their files so your computer may get infected.

Now the good news is that there are quite a few new commercial Wii game download service providers that you can utilize right now. Their files are all complete and free from viruses and spyware so you can download with no worries. many of them also have 24/7 support service as well as comprehensive tutorials so you are assured to get the most out of it..

More importantly, many of them offer an unlimited download service with onetime membership fee, which can be as low as a price of single Wii game. This means you can literally download all the Wii games for free after the first game download. Doesn't it sound so awesome?! .

Downloading Wii games is a great way to keep up with the latest games and not worry about having to fork over some cash each time you want to try something new. Also one very nice benefit those Wii sites offer is you can start download Wii games within minuets after joining. It's rather easy to find those sites so do a quick search and check out some of those sites then you'll be on the right path to growing your Wii game collections for free.

Singing is the best type of tread, I can use to run the samples from my computer while I was playing guitar and?

Check in Trey Anastasio's website will show all of his gear and he will be branded. (Do not remember) of the pedals that he uses for the switch. Good Luck!

Trigger Capo

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Trigger Capo

Yakuza

Yakuza images reveal the hierarchy that structures the organization. An obsequious flunky lights a cigarette for a gang leader, who poses with the self-conscious cool of a Hollywood villain; a human pit-bull stands with a bandana tied round his melon-shaped head. Punctuated by gaudy street posters covered in Japanese kanji, the background landscape reveals aged prostitutes, nervous salary men, and the occasional badly beaten victim: in a key image, a major altercation has evidently broken out over a game of Go.

“In terms of operating style the yakuza are not back-alley outfits; they function like large corporations. Like any major business enterprise the crime groups maintain offices that prominently display each group's logo. Members sport lapel pins and carry business cards identifying their positions within the syndicate. Some gangs even publish their own magazines and internal telephone directories. The almost 9-to-5 normalcy of a typical yakuza member's day contrasts with that of American ethnic crime groups, which often conduct business in out-of-the-way places and at unusual hours”. Like their counterparts in the legitimate business world, Japanese crime groups appear to be highly profitable entities. While estimating income is difficult given the largely covert nature of yakuza activities, NPA speculated that in 1989 Japanese organized Crime groups earned at least Y1.3 trillion ($9.6 billion at Y135=$1.00). Of this total, Japanese police estimate that about one-third comes from the sale of drugs (primarily amphetamines), another third derives from gambling, extortion and intervention in civil affairs and the remainder comes from miscellaneous activities. Like the Mafia, the yakuza power structure is a pyramid with a patriarch on top and loyal underlings of various ranks below him. The Mafia hierarchy is relatively simple. The capo (boss) rules the family with the assistance of his under boss and consigliore (counselor). On the next level, captains run crews of soldiers who all have associates (men who have not been officially inducted into the Mafia) to do their bidding.

The yakuza system is similar but more intricate. The guiding principle of the yakuza structure is the oyabun-kobun relationship. Oyabun literally means, “Father role”; kobun means “child role.” When a man is accepted into the yakuza, he must accept this relationship. He must promise unquestioning loyalty and obedience to his boss. The oyabun, like any good father, is obliged to provide protection and good counsel to his children. However, as the old Japanese saying states, “If your boss says the passing crow is white, then you must agree.” As the yakuza put it, a kobun must be willing to be a teppodama (bullet) for his oyabun.

The levels of management within the yakuza structure are much more complex than the Mafia’s. Immediately under the kumicho (supreme boss) are the saiko komon (senior adviser) and the so-honbucho (headquarters chief). The wakagashira (number-two man) is a regional boss responsible for governing many gangs; he is assisted by the fuku-honbucho, who is responsible for several gangs of his own. A lesser regional boss is a shateigashira, and he commonly has a hateigashira-hosa to assist him. A typical yakuza crime family will also have dozens of shatei (younger brothers) and many wakashu (junior leaders). A successful candidate for admission into the Mafia must participate in a ceremony where his trigger finger is pricked and the blood smeared on the picture of a saint, which is then set on fire and must burn in the initiate’s hands as he swears his loyalty to the family.

“In the yakuza initiation ceremony, the blood is symbolized by sake (rice wine). The oyabun and the initiate sit face-to-face as their sake is prepared by azukarinin (guarantors). The sake is mixed with salt and fish scales, and then carefully poured into cups. The oyabun’s cup is filled to the brim, befitting his status; the initiate gets much less. They drink a bit, and then exchange cups, and each drinks from the other’s cup.” The kobun has then sealed his commitment to the family. From that moment on, even the kobun’s wife and children must take a backseat to his obligations to his yakuza family.

The yakuza is an all men's society. They do not trust women. The only visible woman in the group is the boss' wife, called ane-san. Ane-san means "older sister." All members give her the same respect as the boss because she is his wife. However, she does not get involved in the business. Her position in the group is the boss' wife, and not a member of a group.

The yakuza do not trust women because they believe that women are e weak. They believe that women cannot fight like men, that women are not born to fight. To a yakuza member, the most important thing is courage. If there is a battle, you must be ready to fight to the death, rather than lose the battle. Yakuza members must be willing to die for their boss. They feel women are born to be mothers and to take care of their husbands. This may sound old-fashioned, but all yakuza members believe that women should stay home and take care of the children and not meddle in men's business.

Another reason the yakuza do not allow women in their organization is that no one can talk about the group to outsiders. The yakuza do not believe that women are strong enough to keep silent if interrogated by the police or their enemies. If anyone speaks out, that will be the end of the group. For all of these reasons, the yakuza are a man's society.

The yakuza have their own unique way of apologizing when they make a mistake, or do something wrong. It is called "Yubizume. " Yubizume is the act of cutting off their little finger and giving it to the person they are apologizing to. In the yakuza society, if an m ember is jailed for any reason, he gains prestige when he is released from police custody

The yakuza mainly make their living through unlawful b businesses, such as gambling, drugs, prostitution and loan-sharking. Most of the money comes from gambling, most often from dice games. Each group has its own gambling room, which is usually behind a bar or restaurant. Food and drinks are served, but the e main purpose is gambling. The group chooses the gamblers. If they do not know them, they cannot gamble. The yakuza do not want the police to know about their business.

The yakuza also make money from prostitution. They hire young girls whose are younger than eighteen years old. There are many ways to make a profit from this business, but the most popular one is the "date club." Some groups make more than a million dollars a month from this business. The date club is a men's club. There is a membership fee of at least one thousand dollars to join. Most of the customers are the rich middle-aged men, such as doctors, lawyers, and company presidents. Club members are shown young girls' pictures to choose from, and a date with the chosen girl is arranged. The men then have to pay a fee of about two hundred dollars for the date, and all expenses. After the date, the customer calls the club and tells them whether they liked the girl, and whether or not they would like another date. To have sex with the girl can cost at least one thousand dollars. The hiring of high school students as prostitutes is against the law. However, some high school students are willing to work as prostitutes as they can earn much more money than from any other part-time job.

Most of the money that the yakuza make is spent on the purchase of weapons. Each group has its own territory. The territory is very important to the yakuza. When they do business, they cannot break into each other group's territory. If one group tries to break into another's territory it must be protected, usually through violence.

In Japan, the general public cannot have a weapon without a permit, but the yakuza do not respect the law. Many citizens become victims of the yakuza's battles. When they are fighting, each group tries to kill the boss of the other group, because a group without a boss is weak and has no power to fight. For all members, the boss is God. Without him, they cannot do anything. Whoever wins the battle takes over the group that lost and their territory.

It is easy to see why the yakuza are so famous in many countries, and feared and hated by many people. The yakuza do not follow the law. They also have illegal businesses, and have had many battles, which have killed innocent citizens. This continues to be one of the biggest social problems in Japan.

If a yakuza member displeases or severely disappoints his boss, the punishment is often yubizume, the amputation of the last joint of the little finger. A second offense will require the severing of the second joint of that finger, and additional offenses might require moving on to the next finger. A man knows that he must commit yubizume when his immediate superior gives him a knife and a string to staunch the bleeding. Words are not necessary. The origin of this practice dates back to the days of the samurai. Removing part of the smallest finger weakens the hand for holding the sword. When a katana (the samurai long sword) is gripped properly, the pinkie is the strongest finger. The ring finger is the second strongest, middle finger third strongest, and the index finger does almost nothing. With a damaged hand, the swordsman became more dependent on his master for protection. Today this ritual maiming is entirely symbolic, but it serves to make a point with delinquent kobun, and it shows that the yakuza, like their Mafia counterparts, abide by the old saying: “Keep your friends close and your enemies closer.”

Like the Mafia, the yakuza in recent years have been forced to lower their standards when recruiting new members, and as a result some feel that they are neither as organized nor as powerful as they once were. In the past, choice recruits came from the traditional bakuto (gambler) and tekiya (peddler) classes, but today a rebel spirit and a willingness to commit crime for an oyabun is all that is necessary to join the yakuza ranks. Most new members currently come from the bosozuku (speed tribes), street punks known for their love of motorcycles.

This lowering of standards has led to the Japanese National Police Agency adopting the term boryokudan ({the violent ones}) for the yakuza, lumping them in with other criminal groups. The yakuza, which treasure their ancestral ties to the old samurai, reject the term and consider it an insult.

The origin of the yakuza is a matter of some debate. Some feel that its members are descendents of the 17th-century kabuki-mono (crazy ones), outlandish samurai who reveled in outlandish clothing and hairstyles, spoke in elaborate slang, and carried unusually long swords in their belts. The kabuki-mono was also known as hatamoto-yakko (servants of the shogun). During the Tokugawa era, an extended period of peace in Japan, the services of these samurai were no longer needed, and so they became leaderless ronin (wave man). Without the guidance of a strong hand, they eventually shifted their focus from community service to theft and mayhem.

Modern yakuza members refute this theory and instead proclaim they to be the descendents of the machi-yokko (servants of the town) who protected their villages from the wayward hatamoto-yakko. The official yakuza history portrays the group’s ancestors as underdog folk heroes who stood up for the poor and the defenseless, just as Robin Hood helped the peasants of medieval England.

Current yakuza members fall under three general categories: tekiya (street peddlers), bakuto (gamblers), and gurentai (hoodlums). The peddlers and gamblers trace their roots back to the 18th century while the hoodlums came into existence after World War II when the demand for black market goods created a booming industry. Traditionally the tekiya, medieval Japan’s version of snake-oil salesmen, worked the fairs and markets while the bakuto worked the towns and highways. The gurentai, by contrast, modeled themselves on American gangsters of the Al Capone era, using threats and extortion to achieve their ends. After World War II, in the governmental power void caused by the Occupation, the gurentai prospered, and their ranks swelled. They also brought organized crime in Japan to a new level of violence, replacing the traditional sword with modern firearms, even though guns were now officially outlawed in the country as a result of the surrender.

Yakuza also satisfy the desire of would-be gun owners in Japan, where guns of all kinds are prohibited. Yakuza members themselves are the prime market for firearms, and they favor the sleekest automatic handguns from Europe and America, often trading drugs for weapons. The yakuza specialize in the production and sales of met amphetamine (given the frenetic pace and competitive atmosphere of Japanese society, speed is the national drug of choice) and the yakuza frequently use it to barter with Western arms suppliers.

The yakuza also make millions of dollars a year through corporate extortion, and the sokaiya (shareholders’ meeting men) are the masters of this enterprise. Sokaiya will buy a small number of shares in a company so that they can attend shareholders’ meetings. In preparation for the meeting, the sokaiya gather damaging information about the company and its officers; secret mistresses, tax evasion, unsafe factory conditions, and pollution are all fodder for the sokaiya. They will then contact the company’s management and threaten to disclose whatever embarrassing information they have at the shareholders’ meeting unless they are “compensated.” If management does not give in to their demands, the sokaiya go to the shareholders’ meeting and raise hell, shouting down anyone who dares to speak, making a boisterous display of their presence, and shouting out their damaging revelations. In Japan, where people fear embarrassment and shame much more than physical threats, executives usually give the sokaiya whatever they want.

Organized crime groups in Japan -- known loosely as the yakuza -- in recent years have proven to be far more than gangs of thugs that oversee extortion, gambling, prostitution and other "traditional" gangster activities. Developments during the past year have revealed that the yakuza, having bought up real estate and stocks in the late 1980s, are playing a bigger hand in the Japanese economy. While organized crime groups for much of the postwar period have enjoyed an unusual degree of tolerance by the Japanese public as well as the police, recent scandals involving billions of yen linked to yakuza-related firms or individuals have sounded alarms in Tokyo. There is increasing concern in some business and government quarters that the Japanese underworld is developing the sort of financial muscle that could threaten the economic order.

“The exotic appearance of yakuza members and their peculiar samurai-type rituals (the top of a gang member's smallest digit is severed and presented to his leader as atonement for a grievous error) certainly distinguish the Japanese mob from underworld syndicates based in the United States and Europe. The yakuza in recent years have diversified their portfolio of illegal activities to include loan sharking, company racketeering and extortion-type intervention in civil disputes and real estate transactions.”

“Possibly buying into the yakuza's Robin Hood image, ordinary Japanese citizens at times turn not to lawyers and the courts but to mobsters to help them resolve civil disputes that would be extremely difficult, time-consuming and expensive to pursue through the Japanese legal system. These disputes primarily concern private and commercial debts and personal injuries, although organized crime experts also believe that the mob is involved in the settlement of most automobile accident cases. While the yakuza in these instances may be regarded as filling a need created by the dearth of lawyers in Japan, gangsters -- being outside the law -- also have been known to initiate traffic accidents as one means of extorting money from people.”

The yakuza's motives rarely are above reproach. One could argue that gangsters, in fact, have learned how to exploit effectively the Japanese tendency to utilize personal relations, rather than legal measures, to resolve disputes.

This is not to suggest that Japanese police completely look the other way when it comes to the mob. Over the years Japanese law enforcement officials, who have been admired the world over for their high standard of discipline, have staged numerous raids on various yakuza offices. These assaults have tended, however, to be more a show of police muscle than a genuine attempt to shut down gangster operations.

One of the main reasons that the yakuza can operate "aboveground" is because the groups are not illegal. There are no statutes in Japan comparable to this country's Racketeer Influenced and Corrupt Organizations Act of 1970. RICO authorizes U.S. law enforcement officials to investigate and to ultimately arrest any individual, partnership, corporation, association or other legal entity as well as any union or group of individuals "associated in fact" for engaging in a pattern of criminal activities in furtherance of racketeering. Organized crime experts also note that weaknesses in Japan's criminal law also have made it difficult to prosecute the perpetrators of bribery, extortion, money laundering or other yakuza lines of business.

Public Acceptance - Until recently there has been an unusually high degree of tolerance by the Japanese public for the yakuza. As long as mobsters did not prove too disruptive, the police, in particular, stayed out of their way. Some analysts attribute this acceptance to the yakuza's skill at public relations and the fact that the public has come to rely on gangsters to satisfy certain economic, political, legal or societal needs that the government cannot, or will not, address.

Would a Dunlop Trigger Flat Guitar Capo fit on my Takamine Jasmine (Acuostic Guitar)?

i bought a flat capo and i think i might have made a mitake..

help!

Yes, I use one on my Acoustic guitar and it's fine.
Lee

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